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News Opportunities Project Updates

Nithraid River Race 2022

Nithraid River Race is back for another year!

On Saturday 13th August 2022, teams of intrepid sailors and coastal rowers are invited to take to the Nith in their vessels to race from Glencaple to Dumfries and back, battling it out for the best time.

Where did it all begin?

Our River Nith connects us all in Nithsdale. Nithraid Festival celebrates and explores our town’s long relationship with the river and its importance to the people and communities it connects – be that the past, present or communities of the future.

Nithraid 2018

The Nith is a tidal river that runs through the historic market town of Dumfries, connecting the town to the sea. In the 18th century, the town and its neighbouring villages of Glencaple and Kingholm Quay became Scotland’s largest and busiest trading ports.

To celebrate this rich history, we hold an annual River Race, which sees teams of coastal rowers, sailing boats and various person-powered vessels race the river, battling for the best time as they make their way to the finish line.

Nithraid 2021

Why take part?

Nithraid is a fun-filled and action-packed event with great memories to be made for those who take part as well as those who watch the race unfold. After all, the race itself isn’t always straight forward! 

Sal Cuddihy, Head of Production for The Stove Network explains what makes Nithraid special:

“It’s great to see the diverse range of boats involved in the race… we’ve got four different categories of race entry, from sailboats, coastal rowing skiffs, rowing skulls and miscellaneous vessels too. Because of the mix of all the different types of boats, they all come in at different times which is so exciting to watch as they battle against each other to move up the river on the tide…

Nithraid 2015

…it’s especially fun to watch them move with the tidal bore as it adds that extra element of challenge. Sometimes, if they don’t get up the river quick enough, it gets harder for them to move with the water as the tide moves back up towards the sea. All these components make the river race a really fun and engaging spectacle – and there’s always an unexpected event, which usually provides some great entertainment!”

Nithraid 2015

If you like a challenge, fancy a day of fun on the Nith and want to get involved, enter the race!

“The River Nith is a defining natural dynamic of our area, and Nithraid is a wonderful celebration of it. The race, over the navigable length of the tidal reach from Glencaple to Dumfries, is open to any non-motorised craft and makes a great spectacle especially from the bridges, and is excellent fun for participants.”
 – River Race Producer, Mark Zygadlo

Nithraid 2016

Applications to enter this year’s Nithraid River Race are now open. Whether you’re a team of coastal rowers, a sailing crew or a single skiff, this is your opportunity to join the Nithraid community and take part in Nithraid 2022!

FOR ENTRY FORMS, CLICK HERE

Categories
Musings News

Progressive Seagull Alliance

An open letter from the Progressive Seagull Alliance

Gulls, vagabonds vindicators, lend me yer chips ears!

The Gull. To a Doonhamer, the seagull or ‘largus paininthearsus’ (in Latin) is as welcome as a fart in a phone box. Their reputation precedes them. And rightly so. Who hasn’t been tormented by the kamikaze swoop of a mother gull protecting its hard-won nest? Or been unwittingly stalked pons’t the purchase of a steak bake? These psychopaths of the sky are to Dumfries as Shania Twain is to a Slipknot concert, incompatible, and not all that welcome. Like Jackson Pollock at a warehouse rave, their excrement paints the town in an abstract canvas of anarchy, leaving a trail of empty Greggs bags and traumatised playgrounds in their wake.

So in light of all that, you might be wondering to yourself why exactly the Stove decided to dawn masks, costumes, banners and flags in celebration of these aerial dementors at this year’s Guid Nychburris. I know because I saw you, yes you, looking more than a little confused, in-between the saltire flag and Currie’s lorry, beside the swaying fella with the lime green afro wig and the trumpet. (Side note: imagine having to explain Guid Nychburris to an alien).

Meet the Progressive Seagull Alliance, a vigilante group dedicated to progressive and positive change for the town.

Yes, like Batman (yes I did just compere this to the Dark Knight himself), the Progressive Seagull Alliance (PSA) are here to tackle the negative perceptions of a town on the cusp of something quite extraordinary. Using the winged fiends as an archetype for the town, the PSA are here to challenge negativity, platform the amazing work that’s happening throughout our town and get active!

Riding on the mighty success of their winning entry to the Guid Nychburris Parade (get in!), the Progressive Seagull Alliance are now recruiting for members!

Think of it like Anonymous, only without the scary ‘V’ masks, encyclopaedic knowledge of cryptocurrency, global financial markets and hacking, the Progressive Seagull Alliance are a new wave of positivity swooping into the town.

So how do you get involved?

Stay on the lookout for the Progressive Seagull Alliance pop-ups happening through August and September! Sign up, contribute to our manifesto and get making!


Categories
Musings News

Skye Loneragan’s Though This Be Madness

As Skye Loneragan makes her return to The Stove on Saturday 25th June 2022 with her solo performance, Though This Be Madness, Skye tells us all about the play and how it came to fruition, following her own journey in new parenthood alongside the challenges of coping with mental illness within her family.

“I am looking forward to returning to Dumfries & Galloway this week. I remember performing Though This Be Madness in its early days, before it was Covid-cancelled, at The Stove. An audience member emailed me in the days after the show, about L.O.I.P (Loved Ones In Pain) which I talk about in the show, words I cherish as they remind me why we have a response sanctuary at the end of the show, and put soft toys on the seats:

“There were so many points of traction and heart-opening in your performance, more than I can sum up here… So much discourse focuses on the person experiencing the crisis, and of course they should be at the centre, but for those of us holding and caring and witnessing and having our hearts just about ripped out of us in the process, it doesn’t often feel like there’s space for that… My heart was moved tonight in a way I didn’t quite expect… Thank you for making this kind of pain and process visible, I really appreciate it, and want you to know how important this work is.”

Someone else shared with me their own resonances after the performance, and helped me find my where I’d parked the hire car. They allowed me to record their spoken word:

“Basically it was about my life… the insight in that show was amazing… for somebody who has seen both sides, as a worker and as a patient, I think that was the most honest, actually complimentary almost, portrayal of mental health I’ve ever seen. I don’t know Skye’s background, I don’t know if she has actually been locked up with her rights removed, but if she hasn’t, respect to her because I don’t know anybody who could write something like that who hasn’t actually seen it from the inside.“

I share these words with you (with permission) because so many people are juggling so much. Staying afloat, letting alone seeing a theatre show, can be a huge task which can take a lot of energy, never mind the energy it takes to look after yourself and allow your own creative quest to take flight. 

I know this but would still love to see you in my ‘lounge room’, (the play is set in the Land of Lounge Room), at Heart of Hawick or The Catstrand, New Galloway or The Stove, Dumfries.

What can you expect from Though This Be Madness? 

I had started writing Though This Be Madness before I had a baby, initially toying with ‘diagnosing’ Shakespeare’s female leads. Once I had my sought-after wee one, I had to try and write it in snatches of baby sleep and found I literally could not… finish a sentence.

The show begins with, “she’s down, but she doesn’t sleep lying down, so we may not have long”. A new mature-age mum, I spent hours trying to get my baby to snooze by walking her in the harness or bouncing her on the Pilates ball… I was so on the ball.

My own sleep never made it past a two-hour stretch, for years. I don’t know how people do it, stay functional despite sleep-deprivation. I managed to script tiny segments: ‘Grasp’, “fish-hook’, ‘Ophelia’, ‘The Bits You Don’t Get Back’, ‘Activated Macadamias’….and each of these has a little nut of truth in it and a curly question about how we nurture our collective sanity.

Post-natal, I was also trying to make sense of the debilitating mental health crises of close family members and those I love dearly. So, the play became a fractured fiction and an honest attempt to reach you with a tale that isn’t about parenting at all, but is scuppered by that very context:

“Once upon a Time…  I Don’t Have Time…”

I also remember feeling terrified of leaving the house in case she’d cry. Would we make it? So I knew I wanted to make an adult show for parents or carers with babes-in-arms. The story will follow the same route but if your baby cries that’s ok, if you need to come or go, feed them – that’s fine too. I will take a pause if that’s what is needed, and one audience member told me this was needed:  

“I really appreciated having something cultural to go to…aimed at us parents but accommodating our babies….it’s depressingly rare”

The show has dug itself deeper for me during the pandemic, through the cancellations, the home-not-schooling, the caring for loved ones  – it became a digital version, Though This Be (online) Madness!.

Though This Be Madness is a 72-min piece without an interval. At the end we host a 15-min ‘post-show sanctuary’… a space to allow your response to the show to surface… and find some form of expression before heading home.

Not all stories wrap themselves around a beginning, a middle and an end. New motherhood doesn’t afford the time for that kind of structure. Though This Be Madness is an inventive and darkly humorous story of many sisters that delves into the combined challenges of new parenting alongside loved ones struggling with psychosis and depression.

In this fractured fiction told through poetry and performance, with a musical score co-created by Mairi Campbell, we meet a recovering mum bouncing on a Pilates ball in The Land of the Lounge Room. Determined to soothe her baby and ‘stay on the ball’, she tries finish her sentence and tell us how she is unable to reach her sister Ophelia, who wrestles with a cataract on what Shakespeare calls the ‘mind’s eye’.”

www.skyeloneragan.co.uk
https://vimeo.com/skyeloneragan

Though This Be Madness takes place at The Stove on Saturday 25th June at 7.30pm. Tickets are £5 and can be booked by clicking here.

Categories
News Project Updates

Meet the Creative Spaces Team

Creative Spaces is an exciting collaborative project at The Stove which offers both paid and voluntary opportunities for the under 30s in Dumfries & Galloway.

The project brings together young creatives, from different disciplines, to facilitate an annual programme of events, activities and workshops, all designed to explore and develop artistic responses to cultural issues that impact young people in Dumfries & Galloway.

In May 2022 we were joined by 4 new members to The Stove team:

Mia Osborne as our Emerging Producer, Emma Forsyth, Morgan Love and Alice Griffin as our three Associate Artists for this year’s Creative Spaces programme. You can find out a bit more about each of our new teammates here.

We asked them a few questions so you could get to know them! Here’s what they had to say…

Q) What is your practice?

Mia – “I wouldn’t say I have one singular defined practice however, my skills lie in the production and facilitation of events and community engagement work. I hope to communicate these throughout the year as CS producer in order to aid the associates with the programming and delivery of meaningful community events.”

Alice – “I studied illustration at ECA and during my final year I started screen-printing, which I totally fell in love with. I like to make prints from found objects or textures which I combine with hand drawn and photographed elements, either digitally or by hand. I like to experiment with different printmaking techniques and my work is mostly a tool for me to explore social issues and connect with others.”

Emma – “My studies and knowledge are in theatre, and I feel I am still working out my practice! I love documentary drama and finding new fun ways to engage people in their own talented community.”

Morgan – “I don’t have a creative practice per se, my interest rather lies in the development of the local region and how the creative sector can contribute to it. I am also a Business student, specialising in Marketing, and I hope to utilise and develop the skills I am gaining in my degree and apply them to the Creative Spaces programme.”

Q) Where are you from? What draws you to D&G as a young creative?

Mia – “I grew up in rural D&G in a tiny wee village called Durisdeer. After leaving the area to go off to uni and circumstantially having to return, I was instantly drawn to a lot of the creative organisations in Dumfries because of the beneficial work they were doing for the community and it’s where I found I aligned best.”

Mia – “I grew up in rural D&G in a tiny wee village called Durisdeer. After leaving the area to go off to uni and circumstantially having to return, I was instantly drawn to a lot of the creative organisations in Dumfries because of the beneficial work they were doing for the community and it’s where I found I aligned best.”

Alice – “Originally I’m from Guildford, Surrey. I moved to Edinburgh in 2015, then to Dumfries in 2021. I moved down to Dumfries to join my partner. Aside from that I was looking forward to a slower pace of life and having more outside space. I had heard of The Stove before moving down but didn’t quite realise just how creative the region is.”

Emma – “I am originally from Dalbeattie, but moved up to Glasgow to study theatre. Even though I moved to the city to find opportunities in the arts, I resonate with all the work and projects down at home. The amount of good work getting created by talented people in D&G was what drew me back down.”

Morgan – “I am local to the area – I grew up in Lochside but have spent the last few years living close to the town centre. My main attraction to D&G stems from having a large root system in the local region, and I have a great passion surrounding the development of the town to become a place that is attractive and viable for young people. I believe that creativity in the region can act as a gateway to the retention of young people and hope that our cohort of Creative Spaces can begin to engage with young creative and build a lasting impact that entices young people.”

Q) What do you like to do outside of work?

Mia – “I love spending time with my family, partner & pals, specifically my wee niece. I get so much joy from exploring the countryside and swimming or paddle boarding when weather permits me to do so!”

Alice – “Most weekends I’ll be visiting friends or family, they are scattered up and down the UK so that takes some time. I’ve got two dogs, so I like to take them on walks and there are so many beautiful beaches nearby. I like gardening, we’re watching our first lot of potatoes and onions grow in our vegetable patch which is exciting. Lastly, I love food so I spend a lot of my time cooking and baking.”

Emma – “ love to cook when I have the chance! I also love to discover new craft beers, hit me up with recommendations.”

Morgan – “When I’m not working I like to work through my to-be-read/to-be-watched list, get out in the car and visit the Lake District or the Borders, spend time with my little sister, and combat burnout by taking ridiculously long naps!”

Q) What are you hoping to get out of Creative Spaces?

Mia – “I hope to make some great connections within the team & assist them through the CS programme. I can’t wait to showcase the work that we do to a wider audience across D&G in order to inspire young creatives across the region and promote D&G as a viable option for young creatives wanting to develop their practice.”

Alice – “I’m looking forward to planning and working on some exciting projects. I’m hoping to meet a network of other young creatives in the region. Also, I’d like to learn as much as I can about marketing and how to run a creative business.”

Emma – “I hope to help at least one young person to find a creative outlet in their hometown.”

Morgan – “Beyond hoping to develop the skills and interests I am coming into the programme with, as well as discovering some new ones, I have a keen interest in engaging with the wider region, hoping to incorporate the “G” in D&G as much as possible. I also hope to foster a link with the local schools to promote CS to local young people who are looking for a future in the creative sector.”

Q) And finally, what’s your Stove Cafe order?

Mia – “It’s definitely an extra crispy bacon sandwich on chia bread & a decaf tea with oat milk or a big glass of water (because hydration is key).”

Alice – “A flat white or an iced coffee depending on how I’m feeling. Food wise, either a bacon sandwich or some form of toastie.”

Emma – “Vegan toastie, side salad or salt and vinegar crisps and coconut latte.”

Morgan – “Recently, it’s been a bacon roll and a small caramel latte.”

Categories
Opportunities Project Updates

Grow Your Own Event

Grants for up to £500 Available Unexpected Garden – Stranraer

Dandelion is a national community food growing initiative that is coming to Stranraer. It is part of the UK wide UnBoxed Festival; a UK wide celebration of creativity taking place in 2022. The project will see a new Unexpected Garden and event space created on the harbour front with the local community that brings together food, culture, ideas, music and technology, driven by the concept of sow, grow, share.

Our ‘Grow Your Own Event’ grants have been created to give the local community the chance to host their own events in Stranraer’s Unexpected Garden. We will offer groups and individuals up to £500 to programme their own event which should meet at least one of the following criteria:

  • Improving wellbeing (physical and mental)
  • Enabling community participation in the arts
  • Promoting equality
  • Enabling participation in physical activity
  • Responding to the climate emergency and promoting sustainability
  • Increasing community access to the garden
  • Promoting the regeneration of Stranraer

Please note that we cannot accept applications promoting a specific religious faith or political party

Please consider the following when thinking about your event:

About the Garden

The Unexpected Garden in Stranraer can be found on the waterfront in Stranraer situated between Burns House and Ulsterbus. It is a community space where people can come together to grow food, take part in workshops, relax or attend one of our many events leading up to Harvest Festival in September.

  • The garden has a 6.5m x 6.5m stretch tent that can provide shelter for events and workshops.
  • We can provide folding tables and chairs as well as a battery powered PA and AMP system for live music and background music
  • We do not have any power supply to the garden so any power requirements will need to be brought in externally.
  • The garden and performance space is on the ground level with no stair access.
  • There is an accessible toilet on site for those who need it
  • Events must take place by 31 August 2022.

How to Apply:

Please complete our short application form to apply:

TO APPLY NOW, CLICK HERE

Deadline for applications: 30 June 2022

Alternatively, you can ask for a copy of the questions and submit a video, voice note or word document. Please email [email protected] for more information.

Categories
Musings News

Spring Public Art Musings

From Public Art Lead Katie Anderson

Public art isn’t always the big things.

Sometimes it happens in the small scale: intimate interactions, one to one conversations, temporary actions; the testing out of ideas can happen in many forms and take on different guises.

The Stove’s public art practice roams between the two – scaling large productions for our annual festivals and events, creating spectacles such as The Tower of Light last December, but also taking a moment to mark the small changes in our calendar – welcoming the return of the swallows, re-visiting familiar spaces in the town, and occupying space for conversation and exploration.

Helen Walsh’s installation, Swoop! fell into this category. Following a call for ideas and artworks that explore or encourage a renewed awareness of seasonality and in response to our need to better adapt creative working in response to the needs of our environment and wider climate, Helen’s proposal invited participants and audiences to take the time – through construction of our felt flock to discovering them in situ – noticing our avian neighbours arrival, and signalling the transition towards the summer months. Working with volunteers and HNC students from Dumfries and Galloway College who contributed to ‘the swoop’ (collective noun for swallows, of course), the birds made their temporary appearance in the rafters of Dock Park’s Victorian bandstand at the weekend.

Welcoming the swallows opened up a wider conversation about how we open our doors here, to all from the seasonal return of transitory populations like the swallows, to tourists and visitors, New Scots and folk moving here for work, safety and inspiration. Our Migratory Routes trail mapped out routes in miniature around the park, inviting visitors to walk routes taken by visitors and residents from both current and historical lives in Dumfries.

We printed postcards to send out a welcome from Dumfries, chatting about icons and monuments that represent the town and the people we would like to welcome to the town. Small conversations to measure the undercurrents.

The bandstand stands witness to the comings and goings of the park, occupied occasionally by children playing games or looking for an impromptu ball game court, but predominantly standing empty – waiting for the start of a performance. The HNC students were also invited to imagine their own public art installations for the bandstand as part of the public module element of their coursework, and during a return visit they shared a dazzling collection of ideas, from community weaving projects, to projections, found object mobiles and light works – their proposals moved through similar scales of spectacle to intimate, personal experiences, inverting the space and exploring the edges of their practice and ambition. Inspiring stuff!

Public spaces like the bandstand hold incredible potential: as a platform, a soap box, a space of celebration, announcement, and declaration. As we enter the summer months our outdoor spaces come into their own, but who are the voices we should be hearing from these platforms?