Support Us
Categories
News

Young Stove Member Profile: Lauren Souter

Tell us about your creative process? I’m still trying to figure out what my process is. I tend to start by gathering things that inspire me and then focus on what catches my eye. I suppose I take the process as it comes—I go with my gut feeling more than anything.

What drew you to the Young Stove? The upcoming artist event last summer. A friend told me about it, and I went—it was the first time I’d seen an artist-type event in Dumfries and Galloway, so I was excited.

Which person do you most admire, and why? Nicola Sturgeon. I love Nicola—I admire how she stands up for Scotland and how down-to-earth she is. She’s not superficial like most politicians.

Would you share three words you love? Buzzing, kale, biddy.

Share your hopes and dreams for The Stove? I’m not sure, but I’d really love to see it flourish across all of D&G and beyond. I’d also love for The Stove to gain more recognition locally for everything it does.

What’s something that you’ve found yourself enjoying that you never thought you would? Bingo! I’ve always hated numbers, but my family goes every week, so I’ve joined them on occasion. Surprisingly, I’ve found it’s quite weirdly fun—haha.

What film changed your life? I’m not sure if any film has truly changed my life, but maybe Legally Blonde. I love how Elle suddenly excels—it’s actually quite motivating to watch, haha.

What’s been the most exciting part of The Stove process for you? I’d have to say Parking Space. I absolutely loved that event—it was really, really interesting.

What makes you feel alive? Midnight car journeys and visiting new places.

What songs do you carry close to your heart? I’m on and off with songs, but I’d say We Bros by a group called WU LYF.

What’s your dream for the artists in D&G? For them to receive more recognition. I feel D&G has so much to offer in terms of its artists.

lauren

Who throughout history would you like to sit and have a good chat with? Elizabeth I—she might be a bit intimidating to talk to, but I think she would be absolutely fascinating.

What instrument would you play if you could instantly master it? The harp, or perhaps the art of making music from glass cups.

What would you consider your greatest achievement? Surviving a six-hour journey on a bumpy Stagecoach bus while carrying a box of delicate glass—and none of it broke, haha!

Where’s your favourite place to be in D&G? Portpatrick—it’s such an idyllic and beautiful coastal town.

What’s your favourite piece you’ve produced? Creating a collection of glass vessels with glass artist Amanda Simmons. I’ve never had many opportunities like that, and it really opened my eyes to what’s possible out there.

What five books do you think everyone should read?

  • One Flew Over the Cuckoo’s Nest by Ken Kesey
  • The Bell Jar by Sylvia Plath
  • The BFG by Roald Dahl
  • The Little Stranger by Sarah Waters
  • The Woman in Black by Susan Hill

What makes you happiest? Travelling—especially car journeys, but I love train journeys too. Good food.

Tell us your passion? Most creative things! Art, though I’m not sure exactly what yet—but definitely something within the field of art.


The Young Stove’s first collective exhibition, Not to Be Sold Separately, will open at The Stove on Friday, 11th September. The opening will feature performances, live art, and installation events. More details about Not to Be Sold Separately will be shared soon.

Are you aged 16 to 30 and interested in the arts? Find out more about the Young Stove.

Categories
News

Young Stove Member Profile: Sullivan Michael

What is your earliest memory? I remember being in the flat with Mum and the radio playing a song with brass instruments. It was night-time, and the kitchen was yellow. (It was usually yellow at night and blue-grey during the day.) This might have been in winter. We were making a pizza with a smiley face on it—it tasted disgusting, and we laughed.

What drew you to The Stove? Sauron.

What’s your favourite place to be in D&G? Kirkbean—the woods, the fields, the river with the cave.

What’s been the most exciting part of The Stove process for you? I suppose the most exciting part is seeing a variation of ideas and being involved in intriguing discussions with all these different artists. Meeting new and fascinating people with great imaginations has been a brilliant experience.

What instrument would you play if you could instantly master it? The Ocarina of Time.

Would you share three words that you love? Sing, treasure, lux.

Tell us about your creative process? Sometimes it’s hectic, sometimes it’s structured. I’d say it’s a balanced combination of the two. When I’m certain of what I’m doing, uncertainty may suddenly arise and spur on an unexpected avenue. If I’m not sure where I’m going, I’ll just wander blindly until my right hand grips the banister a split second before what could have been a plummeting journey down the staircase. Sometimes I take that plummet too. Beneath all the chaos, I am quite orderly… or maybe it’s the other way around.

What’s the best thing anyone’s said to you? “Eyes down.”

Tell us a joke? (At this point, we had to pause the interview as Sullivan began breathing into a paper bag, body contorted, rocking back and forth in a most awkward manner.)

What’s the best piece of advice you’ve ever got? “Keep going.”

Tell us your passion? My passion is to express myself, so I’ll do that to the very best of my ability. On those formidable lazy days, I’ll drag myself into action kicking and screaming—it’s the least I can do for myself.

What’s your dream for the arts in D&G? Uninhibited imagination (with bells on).


The Young Stove’s first collective exhibition, Not to Be Sold Separately, will open at The Stove on Friday, 11th September. The opening will feature performances, live art, and installation events. More details about Not to Be Sold Separately will be shared shortly.

Are you aged 16 to 30 and interested in the arts? Find out more about the Young Stove.

Categories
News Project Updates

Not To Be Sold Separately

From Emily Cooper

Months of planning, budgeting, and—most importantly—creating had led to the Young Stove finally making their debut on the art scene of Dumfries and Galloway. Not to Be Sold Separately, our maiden voyage into exhibiting as a collective, launched on the 3rd of July and was met with a wave of excitement and glowing feedback.

As a group of eight young artists, each with contrasting styles and creative visions, coming together to form a cohesive show seemed like a daunting task. However, rather than becoming an obstacle, it turned into one of our greatest strengths, resulting in a vibrant and diverse collection of work that reflects who we are as a group.

Installation day brought its own challenges. With only a matter of hours to transform a beautiful yet unconventional space—complete with complex lighting—and to install all our work before opening that same evening, the pressure was intense. The learning curve was steep, as our experience ranged from seasoned exhibition veterans to those of us (myself included) who had never exhibited publicly before. Yet, remarkably, we pulled it off without a hitch! Having complete creative control and taking responsibility for hanging our own work proved to be an invaluable experience, one that will undoubtedly shape how we approach exhibitions in the future.

Not to Be Sold Separately closes on the 26th of July and will travel to Dumfries to be reimagined and reopened at the start of August. With a new space, fresh pieces, and even more artists added to the line-up, it presents an exciting opportunity to redevelop and build on the success of the exhibition’s first leg. Mill on the Fleet has been a fantastic opening venue. Transplanting a thoroughly modern, edgy collection of work into such a historical and characterful building has resulted in a glorious, colourful discordance—truly symbolic of the Young Stove.

Categories
Musings News

Vacca

From Mark Zygadlo

Nithraid’s Procession


Vacca! The strange case of the lost locative. The Cow, subject and object as symbol. After Bonum, and Beckett (ablative, or is it genitive?)

Vacca, (the)Cow nominative,
Vacca, Oh, Cow, vocative,
Vaccam, you cow, accusative,
Vaccae, of (the)cow, genitive,
Vaccae, to or for (the)cow, dative,
Vacca, by, with, from, or in (the) cow, ablative

Remember that? Of course, it would have been Mensa, table, when we of a certain generation of the modern era were learning the first declensions; female gender singular. The Latin primer, being an expression of the late classical form, omitted the locative case of colloquial or early Latin. Ah, that hushed and subtle tongue.

Oh, the locative, (vocative case, denoted by Oh… as in: Oh, Caesar… or an exclamation mark, as in: Christ! Look at the time…) the locative! It must not be forgotten for it describes the rightness of place and the infinite distance of one location from another. It was reserved for speaking of small islands alone in the Mediterranean; no archipelagoes here, no chains of thought, no Peloponnese or Balearics, no reefs, no connections to the mainland by causeways impassable at high tide, or bridges or small ferry boats. No, and no barren rocks.

The locative speaks of being separate, of being appropriately self-contained, and it can refer to being in the earth, to death and burial, that is, to humiliation. Or, to being at home, at the hearth, focum, foc, and being in the field or fields, when that had some meaning. Specific, you see, to a state of being in place, self-sufficient, separate, discrete. If they had thought of it then, on line, on the net, would be a perfect locative; in a state of separateness described by the place—the net.

Being in a State of Grace? The Cow’s case: (genitive surely; the case of the Salted Cow, but…) Our cow’s argument is locative.

Oh, Locative, (vocative) You obsolete case; you last fragile threads of pre-classical illumination, Be exhumed in this ritual

And roar your bovine craving at us for the case we are losing from the locative field. But, pitiless grammar will not bring the bull. You shall die fallow, unfertilized In the shallows.

Cleave then, oh beast, With your split hoof and state your case, Standing up to your classical canons in it. After all, This is the sharp season of your atomized shit. Homunculus eyes focus on a darker green field. Yes, pump it out, boys. More shit, more grass, more beef, more milk, more shit, more grass, More gas, yes. More, more, more. That is our locus, our focum vivendi, our domicile, And we are such classical agrarians. It is the locative case of Shit.

Cow! (Vocative) You are sacrificial, you see? To the modus, (modo, to or for the way, dative case) to the modus, While the grammar of thought, the rules of understanding Are wiping this island from the charts. But some pre-classical urge, some visceral memory knows An identical ritual killing takes me too. Letting go so much for the sake of so it is a sacrifice alright, And we, in our improved datives, are sensible of thy gift, oh Cow, And preserve thee, black and leathery, from a hook somewhere We can no longer quite describe.

Salt beef, my life. Oh, holy shit.

Salt beef at Blum’s on the Whitechapel Road, And the long walk home through the pre-classical period When we were emergent, Or what passed for young, and understood where we were. But Blum’s, oh my dears, is gone. It was, not is And in its place, I leave my dybbuk. For we too are ephemera, Singing our hearts out In the locative case.

Nithraid was conceived as a public artwork to activate the riverside in Dumfries during the summer of 2013, bringing new focus and drawing people down to celebrate the River Nith. Now in its third year, Dumfries is preparing to welcome sailors upriver to the heart of the town as Nithraid 2015 sails into town on Sunday, 2nd August. Nithraid is free and open to all, and last year saw crowds of 4,000 lining the banks to watch the winning boats cross the finish line. Find out more about this year’s Nithraid here.

The discussion is open, and we invite contributions to our artistic conversations. Whether you have been involved in Nithraid in previous years, are interested in the changing face of public art, or are curious about how a sailing race can also be an artwork, please get in touch via the comments box below. Alternatively, to send your contribution, please email [email protected].

Categories
News

Environmental Arts Festival Scotland 2015…

In 2013, The Stove Network joined forces with Wide-Open and Spring Fling to co-produce the first Environmental Art Festival Scotland (EAFS) in Dumfries and Galloway. Now, we are delighted to announce that we are part of bringing you the second outing of the festival—EAFS 2015, Off-Grid, has been announced this week.

The ruins of Morton Castle, along with its fabulous surrounding countryside, will provide the spectacular backdrop for the Environmental Art Festival Scotland 2015 over the weekend of 29th–30th August.

The festival, held in Dumfries and Galloway, will be an intriguing and playful opportunity for artists to help change ideas and influence thinking about how we need to adapt and evolve in an era of climate change.

There will be a strong emphasis on youth, with five interns playing a central role in organising and delivering the project, helping to build a wider, younger audience to engage with environmental issues.

At the heart of the event will be a variety of specially commissioned artworks, as well as walks, fireside conversations, food art, and other activities to inspire the imagination.

Ruaridh Thin-Smith, one of the interns, said: “The festival will be really enjoyable and fun while addressing some of the most pressing issues of our age.

“EAFS is about getting young people to understand a simple truth—that, whatever it might seem, we are in control of our own spaces, our places, our environment.

“If we can understand that we have the power to affect positive changes and make our planet a better place to live, then we can accomplish anything.”

The other interns, all from Dumfries and Galloway, which is home to EAFS, are Meredith Langley Vine, Katie Anderson, Daniel Leigh, and Kerry Annison. The EAFS youth project, which involves a wider group of young people as well as the interns, is funded by the Holywood Trust.

Over the last year, the EAFS team has been developing the ethos for a thoughtful and playful festival for 2015. This is reflected in the central themes of “inventiveness, foolishness, and generosity as a way of understanding the world.”

The festival aims to attract visitors from all over Scotland and beyond, bringing together people who work with the land, scientists, artists, environmentalists, cultural thinkers, poets, and performers to participate in the event.

Jan Hogarth, a co-curator of EAFS, said: “The castle and its amazing landscape are a brilliant place for an environmental art event that is all about our changing relationship with the environment.

“We are expecting lots of interest from all over the region and the country as a whole in the event, and we are delighted to be working with our team of five interns. They are bringing a huge vitality and a fresh perspective to EAFS.

“We are very grateful for the support of the Holywood Trust and their recognition of the need to engage young people in the arts and landscape.”

Photos by Colin Tennant.

Categories
News Project Updates

Thinking Differently About Our Town

Dumfries is a town at the gateway to Scotland. Famous for its relationship with Rabbie Burns, the town is the nodal point of the region (Dumfries and Galloway) and has a strong heritage and an even stronger cultural potential.

Cities, towns, and villages across Scotland are reimagining their centres and the functions they serve within their urban settings.

Inverness is creating various artworks along its River Ness, ranging from simple signage installations to engineered viewing platforms. Oban is reinventing its waterfront and becoming a hub for the Hebrides. Helmsdale has centred its village around arts and heritage, with a wonderful cultural centre that is growing by leaps and bounds. Even rural Scotland is part of the movement, with initiatives such as the Scottish Scenic Routes, Spring Fling, and the North Coast 500 aiming to redefine the landscapes in which they are situated.

Dumfries shares a similar ambition: to reinvent, reimagine, and reactivate its high street, town centre, and the wider region. The Stove Network, working in collaboration with Lateral North and creative organisations throughout Dumfries, would like to invite you to contribute your ideas for the future of Dumfries—ultimately to generate new concepts within the town to showcase the heritage, cultural, environmental, industrial, and creative communities that thrive here.

Join us to design these interventions, contribute your ideas, and discover the Dumfries you don’t yet know.

If you’re someone with a passion for the town of Dumfries and a commitment to being part of its future, join us for the Cultural Wayfinding Workshop on 15th July at The Stove.

Skip to content