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Welcome Jordan!

Hello! I’m Jordan – the new member of the Blueprint100 Curatorial Team and I am over the moon to have been offered this position.

I am originally from Edinburgh, but I moved to Dumfries in 2012 and have called it home since then. I am love with this town. I am in love with the river. I am in love with the possibilities this place holds. I am in love with the way it makes me feel. Like many, I want to make Dumfries a better place – because not everyone loves the place we call home and this feels unsettling. I am eager to create arts opportunities for young people across the region but most of all, I want to create a place in which we are not ashamed of.

For the last four years, I have been studying Contemporary Performance Practice (CPP) at the Royal Conservatoire of Scotland (RCS), in Glasgow. I graduated in July with a First-Class Honours Degree and I still cannot quite believe that happened!

Glasgow, is my favourite Scottish city (at the moment anyway – I change my mind like the weather!!) I think it’s true what they say – people truly do make Glasgow and many of the things that happen there are so diverse and beautiful that I can see why people never leave.

For me, Glasgow was not all roses and rainbows. The course was tough (but also awesome and life-changing and thought-provoking and full of magic. I will be forever grateful to have had that experience, you can find out more about my course here: https://www.rcs.ac.uk/courses/ba-contemporary-performance-practice/).

I recognised in my third year that the fire that burns within me was dimming in the city. I didn’t feel like I was suited to living full-time in the bright lights and the busy streets. I guess, as cliché as this sounds, I was feeling lost and uncertain. I felt a yearning for something more, something that I wouldn’t feel like I was drowning in. I wanted to be a part of something, something I could change. Something where my voice was heard. Something where my arts practice would not go to waste, although I wasn’t entirely sure what that was yet. I didn’t realise that all I ever wanted was right in front of me – at home, in Dumfries.

Looking back, I wish I had known that these feelings were completely fine to be feeling. I put more pressure on myself at the time because everyone around me seemed to be on a different thought process and figuring out their arts practice and really “getting it” and I wasn’t. I began to experience some mental health issues and my course soon fell to the bottom of my priorities.

I love to party – that is still true today. But a couple of years ago, this became an escape mechanism for me and I never wanted the party to stop. I decided that I was going to leave the course at the end of third of year and not complete my honours. I did not care at all and although (spoiler alert!) that point of view came to bite me in the bum in fourth year (stressss!) I am not angry at myself for feeling like that because I know it was genuinely how I was feeling – and we should not beat ourselves up for our emotions, or else we are all doomed. It was a part of me figuring things out.

On my course, we do our dissertations in third year (instead of fourth, because our final year is full of other fantastic modules) so before leaving, I had to complete my dissertation. I am extremely interested in conversation and the way it is used to make and create art. I entitled my dissertation; Conversation as an art form – when is conversation art?

Cutting a very long story short, during this time, my mum became very unwell and my life really changed. I had to commit to being in Dumfries whilst juggling a dissertation and end of year show and a million other uncertainties and things were happening at once. It felt like the world was caving in and I have never felt so alone… but, as some person once said, when the going gets tough, the tough get going… and that’s what happened. I did a lot of growing up. I completed my dissertation, I completed third year, I became a carer, I overcame some heady stuff and cried loads and loads and loads. I’m actually crying right now as I type this! It’s good to cry though.

My mum made a miraculous recovery that has made me believe in angels and all things other. I knew I had to complete fourth year and entered my final year at RCS determined and ready. My mum and I even made a show together named Kin; a memory that I will cherish deeply for the rest of my life.

Right now, I am committed to community arts practice and particularly interested in the therapeutic role of creativity; my ongoing work resides in community development. I am determined that if we all take a little more time to care for each other and the place in which we live, we will begin to feel much more connected to each other, contributing to better mental health.  I hope that my Blueprint100 journey allows me to implement this and I look forward to (hopefully) being a part of your journey too.

So, that’s a little bit about me! If you want to get in touch, I would love to hear from you! My email is [email protected]

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Musings

Guerrilla Localism in Dumfries

We were inspired recently by a letter into the local Standard newspaper from Maureen Farrell, looking at some of the locally led community projects and initiatives kicking off in Dumfries and calling for a push from agencies and larger organisations in the region to join a new movement of locally inspired positive change for Dumfries.
For those who missed it in the paper, on the 6th of February, we’ve decided to reproduce it here.

Thank you Maureen!

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‘Having just enjoyed the delights that the Big Burns Supper brings to my home town of Dumfries has made me think that here was a homemade success story that was conceived by a local person, Graham Main, and brought to life by the hundreds of volunteers.

It brings the town to life in the dead of winter but, as well as entertaining us, it most importantly brings money and people into our region.

Kirstin McClure Rowe and Leah Halliday are working on a project to bring artists, makers and producers of crafts to the High Street to assist them in marketing their produce but especially to revive the High Street. By having a variety of talented people show their wares they hope to offer a range of unique products and help to market Dumfries as a town that people would want to visit.

At the moment Save Rosefield Mills is holding community consultation meetings to explore how we might rescue the beautiful mill in Troqueer that overlooks the Nith. Luke Moloney, Mark Zygadlo and Sheila Cameron are leading the battle. It would be such a failure if we let our heritage rot away. Again it is a local initiative led by local people.

The Stove is facilitating an attempt to bring housing and other services back to the Midsteeple Quarter. Matt Baker and fellow activists are leading this community-led initiative which would help in re-populating our wonderful Georgian High Street architecture.

Belle Doyle is leading an attempt to improve the rail connections between Dumfries and the central belt with the Dumfries Railway Action Group. This would not only improve our access to Glasgow and Edinburgh but it would also bring people flooding into this area.

These are all examples of local people doing it for themselves. These initiatives have sprung up now because people are tired of seeing the town of Dumfries fade away. We deserve something better.

There has been a lot of criticism of Dumfries and Galloway Council for not doing more but we have to remember that local government is being hammered by austerity and is struggling to fulfill its legal duties in the fields of education, social work, litter collection, planning etc.

Today I read an article by Aditya Chakrabortty about the regeneration of Preston, a town in Lancashire, which had problems similar to our own. Preston turned its fortunes around by spending locally. They call it Guerrilla Localism. [You can read the article in full here]

The local council, NHS and other big-spending organisations were persuaded to spend whatever monies they received from government in their local area, keeping the money circulating there and bringing more employment to the town and its surrounding area.

They did this by breaking down contracts that had to be tendered into amounts that local firms could provide. This increased the number of people locally who were in employment, they in turn spent their money locally and the town and surrounding area prospered. By having the courage to take the initiative local councilors in Preston rescued their town from fading away into obscurity. Who not Dumfries and Galloway, I thought.

I believe the examples I have outlined show that we have the people locally who are prepared to work energetically to make things happen. Now we need the local council, NHS and other agencies that are centrally funded to examine what they do with the considerable amount of money they do receive and make it work for Dumfries and Galloway.

Guerilla Localism could turn around the fortunes of Dumfries and Galloway.’

Maureen Farrell's letter in the Standard earlier this month
Maureen Farrell’s letter in the Standard earlier this month
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News Project Updates

Midsteeple Quarter Ideas Exhibition in Glasgow

Our recent exhibition in the Stove cafe is now on the move! Following a two week show in Dumfries, the exhibition is now installed and available to visit in the Southblock, in Glasgow during regular cafe hours.

Image Credit_Gordon Flemming_ARPL Architects_2


The Midsteeple Quarter Ideas Exhibition features 15 different submissions to our Architecture Ideas Competition that was launched in April in partnership with the Glasgow Institute of Architects.
The winners were selected by our panel of judges (see here for details) and are as follows:
Winner – First Place
Gordon Fleming, ARPL Architects
Second Place
Andie Cooke, Megan Ward, Cara Brunton and Ashley Mitchell
Third Place
Pioneer Landscape Architecture
Drawing Commendation
Ryan Canning and Titas Grikevicius, Holmes Miller

Following the close of the Dumfries exhibition our People’s Choice Winner, selected by popular vote, has also been announced:
Gordon Fleming, ARPL Architects

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Exhibition Dates:
Friday 30 June – Wednesday 12 July 2017

Exhibition Venue:
South Block, 60-64 Osborne St, Glasgow, G1 5QH

Opening Times:
Monday – Friday: 9am – 5pm
Saturday & Sunday: Closed

MQIC Winner’s Presentation and Debate:
We invite you to join us on Thursday 6th July, between 6-7.30pm, to see presentations by the winning 3 entries and to discuss the possibilities of architectural responses to the decline of our high streets. Free to attend with complimentary wine but please book here

If you missed seeing the exhibition in Dumfries, and can’t make the Glasgow venue, the competition entries are available to download as a pdf, available here

Categories
News

Architecture Competition Winner Announced!

The results of our Midsteeple Quarter Architecture Competition have been announced, with Ayr based ARPL Architects winning the 1st prize of £1000. Gordon Flemming from ARPL Architects stated, “We are very pleased that our ideas for the Midsteeple Quarter in Dumfries were recognised by the competition judges. The challenge of ensuring regional town centres stay viable and lively is a great task and we hope our contribution to the discussion helps add a new dimension to this.”

Image Credit_Gordon Flemming_ARPL Architects_1
Gordon Fleming’s entry wins First Place

The Midsteeple Quarter project is an important part of a national debate about the future of town centres as traditional retail declines everywhere, the architectural ideas submitted are not proposals of what will be built, but a way of continuing the conversation of how the Midsteeple Quarter could develop as a new heart of our town centre.

The judging panel consisted of John Dowson, a Dumfries High Street Resident; Melissa Gunn, Lecturer in Business and Enterprise at the University of the West of Scotland & Chair of the Board of Directors at The Stove Network; Tim Gray, Director at Holmes Miller Architects & GIA President; Iain Monteith, Director at Loader & Monteith Architects and Tutor at the Mackintosh School of Architecture and David Cowan, Head of Regeneration Unit at the Scottish Government.

Second place was awarded to a group of young female architects who focused their entry on the social aspect of regenerating Dumfries High Street, providing solutions which introduced both day and night time activity. Their reimaging of the town centre sought to provide an achievable, affordable and permanent solution to empty shop fronts whilst integrating student accommodation into the heart of a potentially thriving community. Third place was awarded to Pioneer Landscape Architecture, who looked at the unique nature of the site and its spaces to guide their response. Their aim was to revitalise the Midsteeple Quarter by making proposals on both a regional and local scale, reinstating the importance of Dumfries as a regional capital in a post retail society. In addition to the cash prizes the Judges wanted to commend Ryan Canning and Titas Grikevicius from Holmes Miller with a Drawing Commendation.

Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.
Second Place was awarded to Andie Cooke, Megan ward, Cara Brunton and Ashley Mitchell.

Sam Patterson, who coordinated the architecture competition on behalf of the Glasgow Institute of Architects, commented, “The GIA are delighted to have worked with The Stove Network on developing such a rich and challenging competition brief and we are thrilled with the range of ideas that were received across the 15 submissions. The quality of the submissions exceeded our expectations and we hope will stimulate the debate in Dumfries about the potential of the Midsteeple Quarter.”

Long-term and careful public consultation has brought a consensus that re-populating the town centre is an urgent necessity. Late last year,we conducted an online survey and had responses from over 800 members of the public. Their responses revealed support for a more diverse approach to the future of the town centre with a very positive response to ideas of enterprise, education, live-work, health services and restaurants/nightlife all being available in the town centre as well as more events, festivals and markets to encourage more people to come into the town.

On Friday 9th June, entries to the Midsteeple Quarter Architecture Competition will be on display in the Stove building, 100 High Street, until 21st June, as well as South Block in Glasgow. The exhibition launch at The Stove will be opened by the new Leader of Dumfries and Galloway Council, Councillor Elaine Murray, and will begin at 6.30pm. Everyone is invited to come along and view the architectural concepts for the Midsteeple Quarter of Dumfries High Street from professional individuals and practices for a reimaged urban core of Dumfries. The public in Dumfries will be able to vote for a ‘Peoples Choice’ winner at the exhibition at The Stove.

For more information, please contact David Smith at [email protected] or visit the Glasgow Institute of Architects website http://gia.org.uk.

Categories
Musings

Dumfries Fountain – History and Future?

Kirsten McClure Rowe has recently been in touch with the Stove as she has recently been researching into the history of Dumfries’ fountain, with the aim of hosting a crowdfunding campaign to restore the fountain to it’s former glory. Her proposal includes stripping back the layers of old peeling paint and professionally restoring it to it’s original colours which were gold and bronze with cactus painted to appear real.

The following is some of Kirsten’s research into the history, and potential future for the Dumfries Fountain:

‘On the 5th of December 1882, Provost Lennox unveiled the fountain which stands on Dumfries High Street. It was made by the Sun Foundry, Alloa and is one of only two models of its type known anywhere in the world. The fountain commemorates the supply of public drinking water to the town from nearby Lochrutton.

The first pipe of the waterworks was laid on 16th January 1851 after many years of wrangling by various committees in Dumfries and Maxwelltown. Many felt that the pipeline wasn’t necessary and that the half a dozen or so seepage wells, which supplied some of the water and the bulk of the supply taken by the “burn drawers” in their dirty wheeled barrels from just below the main sewerage outlet in the Nith and sold at a penny a bucket, were sufficient.

Original Fountain circa 1870
Original Fountain circa 1870

In September 1832, Cholera struck Dumfries. A total of 841 people contracted the disease and 421 died within Dumfries, with a further 237 becoming ill in Maxwelltown of which 127 died. A mass grave at St Michaels churchyard bears a memorial to 420 souls. Unofficial figures state that as many as 700 coffins were produced in the 3-month period of epidemic which ended on 27th November 1832.

“In 1848 cholera struck again. The infant Scottish Board of Health, with little real power, sent Dr John Sutherland from Glasgow, a man of strong personality. He found corpses lying in the streets and no action being taken at all. He got a medical board organised, a house cleansing programme under way and immediately tracked the cause to the water supply and cleared up the epidemic, but not before 431 people had died out of 814 cases.”

Colours of the Fountain in 2004
Colours of the Fountain in 2004

As early as 1765 there had been proposals to introduce a clean gravitation water supply into the town, however it took until 10th May 1850 for a Committee of the House to give a unanimous verdict in favour of the promoters. As it was chiefly working-class areas that suffered in the first cholera epidemic, it was suggested that intemperance and lack of religious faith had led to this divine punishment of the poor. It was only after the middle-class residents of Dumfries and Maxwelltown began to fall ill, that any real action was taken.

A newspaper article from 22nd October 1851 reports the “Record of Public Introduction of Water to Sister Burghs of Dumfries and Maxwelltown” “This boon has been secured after a severe and protracted struggle against the ignorance, apathy, prejudice and selfishness, which formed a strong anti-sanitary battalion that was, with difficulty, beaten from the field” “When the news arrived in Dumfries next day, the bells were rung and bonfires kindled in token of the general joy”

Early 1900s
Early 1900s

“The 21st October 1851 was chosen to introduce water from Lochrutton. Midsteeple bells rang, music from the Annan band played and flags flown”. “A fountain was erected between the Kings Arms and Commercial Hotels being the principle place of resort for the congregated crowds” “This structure, formed of fire clay is in a Roman style of art with Grecian ornaments and is very handsome”

The opening ceremony was performed by Provost Nicholson and was not without incident. When the Provost turned the valve, water shot into the air and descended to soak the assembled citizens!

This fountain was only ever intended to be a temporary fixture and was moved to Nithbank Hospital when our current fountain was unveiled 30 years later.

The fountain is no longer at Nithbank and further investigation is needed to uncover its current whereabouts.

Original fountain sited in Nithbank
Original fountain sited in Nithbank

The district council funded the purchase of the new fountain from the Sun Foundry, while donations from the townspeople of Dumfries paid for its decoration. A total of £191.0s 6d from 221 subscribers was raised. The fountain was a glorious sight to behold and the townsfolk crowded onto the High Street to witness the unveiling. The Dumfries and Galloway Standard dated 6th December 1882 describes the fountain in vivid detail.

Brilliant painted photo showing original colours
Brilliant painted photo showing original colours

“The boys, the dolphins and the storks are entirely gilded and look to be figures in massive gold. The ground of the fountain is bronzed with some of its conventional details displayed in gold. On four pedestals in the freestone basin are placed as many iron vases holding each a large iron cactus, coloured so cleverly after nature, that many who saw them thought they must be real.” – where are these cacti filled vases now?

Boys at the Fountain 1900
Boys at the Fountain 1900

In an amazing coincidence, the town of Kandy in Sri Lanka has an identical twin fountain! The inscribed dedication on the fountain reads “Erected by the Coffee Planters of Ceylon in Commemoration of the visit of Albert Edward, The Prince of Wales (1841-1910) to Kandy December 1875.” The Prince of Wales was the eldest son of Queen Victoria (1837-1901) who succeeded his mother as King Edward VII (1901-10). It was recently renovated and ceremonially bequeathed to the public of Kandy in June 2013.

Prince of Wales Fountain in Kandy, Sri Lanka
Prince of Wales Fountain in Kandy, Sri Lanka

Our fountain is a hugely important part of our social history. It marks a turning point for our ancestors, the people of Dumfries. It currently stands in a very sorry state with peeling paint and green algae. This once celebrated jewel of Dumfries town centre needs our help. Sadly, due to budget cuts, the maintenance of the fountain has not been a priority for the local council. Therefore, it falls to us to rescue it and bring it back to life.’

Sad fountain
Categories
News

The Future is Bright for Lincluden and Lochside

Creative Futures image 2

Over the Easter weekend, Lincluden was treated to two days of family activities and events, when Creative Futures Lincluden and Lochside hosted a variety of creative workshops in Lincluden Abbey and Lincluden Community Centre.

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Easter Sunday saw the return of Abbey Antics at Lincluden Abbey.  Throughout the day, Medieval Monks led a series of workshops, which gave children and families the chance to learn how to weave, make pens from goose feathers, learn metal work techniques and take part in walking through a labyrinth. Dragon Egg making workshops were also held, as well as Fairy Walks and a Unicorn Quest. The day was part of ouir initiative led by Creative Futures, which focuses on bringing the Abbey back into community life, as well as giving young people the opportunity to learn about the significant heritage of their local area in an exciting and engaging way.

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On Monday, the fun continued with a ‘Hoosewarming’ to celebrate the launch of our Creative Futures project at Lincluden Community Centre. This event was a chance for the community to meet the Creative Futures team and get hands-on experience of creative techniques, as well as discuss projects and opportunities for local people in the future.

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Creative Futures Lincluden and Lochside is our new four-year project in North West Dumfries. It is an exciting and innovative project which uses creativity and local history to provide opportunities for young people within the Lochside and Lincluden areas of North West Dumfries. We aim to help local people develop their skills, develop their local area, increase their opportunities, improve their quality of life, connect with one another, try out new experiences and thrive as a community.

If you missed out on the fun last weekend then not to worry – we will be hosting another Housewarming event at Lochside Community Centre on Saturday 29th April. This will be another opportunity for local people to meet everyone and get involved with our open day of arts activities, information, food and music. For further information and drop-in sessions through the week contact [email protected].

Creative Futures Housewarming
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