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Tattiefields Community Evening

From Katie Anderson – Lead Artist for Tattiefields
Tattiefields has awakened a true fascination with all things tattie-related as I’ve spent the summer working and re-working ideas for a new public space as part of a housing development in North West Dumfries. From the names of potato breeds, to their origins, growing seasons and varieties, good recipes to creative projects – I’ve started to go a little tattie-mad.

We decided to host an evening to share this new obsession, towards creating a bit of identity for the Tattiefields site, and also to become the first point for sharing the proposed designs for the location. Exciting times.

Tattiefields 1

The evening included a creative workshop inventing potato men, women, children, animals and aliens…, a curry cooking workshop, the sharing of new designs, a tattie buffet and ended up with some film screenings and the impromptu judging of the best tattie people creations. The event allowed Kirsty Turpie and I to really embrace our love of food as art and art as food, with (I hope) excellent results!

Tattiefields 2 _ KMcE
Tattiefields 3 KMcE
Tattiefields 4 MM
Tattiefields 5 KMcE
Tattiefields 6 KMcE
Tattiefields 7 MM

I’ve had some really great feedback to the designs, and now looking forward to getting into the production phases for the project! I am still very keen to speaking to anyone who is interested in developing a project to support vegetable growing, either in gardens in and around Lochside, or on site at Tattiefields in the Spring. If you have an idea or are interested in sharing some vegetable growing skills, please get in touch by email katie<at>thestove.org.

Tattiefields is part of The Stove Network’s Lochside Public Art Project, working in partnership with DGHP and Creative Futures Lincluden and Lochside.

Big thank you to project assistant Kirsty Turpie, Michael, Liam Templeton, Agne and Jimmy and Matt B for all the support in pulling the evening together. Thanks and image credits to Kirstin McEwan and Michael. To see the extended picture gallery, visit our Flickr page here

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Musings

Dumfries Fountain – History and Future?

Kirsten McClure Rowe has recently been in touch with the Stove as she has recently been researching into the history of Dumfries’ fountain, with the aim of hosting a crowdfunding campaign to restore the fountain to it’s former glory. Her proposal includes stripping back the layers of old peeling paint and professionally restoring it to it’s original colours which were gold and bronze with cactus painted to appear real.

The following is some of Kirsten’s research into the history, and potential future for the Dumfries Fountain:

‘On the 5th of December 1882, Provost Lennox unveiled the fountain which stands on Dumfries High Street. It was made by the Sun Foundry, Alloa and is one of only two models of its type known anywhere in the world. The fountain commemorates the supply of public drinking water to the town from nearby Lochrutton.

The first pipe of the waterworks was laid on 16th January 1851 after many years of wrangling by various committees in Dumfries and Maxwelltown. Many felt that the pipeline wasn’t necessary and that the half a dozen or so seepage wells, which supplied some of the water and the bulk of the supply taken by the “burn drawers” in their dirty wheeled barrels from just below the main sewerage outlet in the Nith and sold at a penny a bucket, were sufficient.

Original Fountain circa 1870
Original Fountain circa 1870

In September 1832, Cholera struck Dumfries. A total of 841 people contracted the disease and 421 died within Dumfries, with a further 237 becoming ill in Maxwelltown of which 127 died. A mass grave at St Michaels churchyard bears a memorial to 420 souls. Unofficial figures state that as many as 700 coffins were produced in the 3-month period of epidemic which ended on 27th November 1832.

“In 1848 cholera struck again. The infant Scottish Board of Health, with little real power, sent Dr John Sutherland from Glasgow, a man of strong personality. He found corpses lying in the streets and no action being taken at all. He got a medical board organised, a house cleansing programme under way and immediately tracked the cause to the water supply and cleared up the epidemic, but not before 431 people had died out of 814 cases.”

Colours of the Fountain in 2004
Colours of the Fountain in 2004

As early as 1765 there had been proposals to introduce a clean gravitation water supply into the town, however it took until 10th May 1850 for a Committee of the House to give a unanimous verdict in favour of the promoters. As it was chiefly working-class areas that suffered in the first cholera epidemic, it was suggested that intemperance and lack of religious faith had led to this divine punishment of the poor. It was only after the middle-class residents of Dumfries and Maxwelltown began to fall ill, that any real action was taken.

A newspaper article from 22nd October 1851 reports the “Record of Public Introduction of Water to Sister Burghs of Dumfries and Maxwelltown” “This boon has been secured after a severe and protracted struggle against the ignorance, apathy, prejudice and selfishness, which formed a strong anti-sanitary battalion that was, with difficulty, beaten from the field” “When the news arrived in Dumfries next day, the bells were rung and bonfires kindled in token of the general joy”

Early 1900s
Early 1900s

“The 21st October 1851 was chosen to introduce water from Lochrutton. Midsteeple bells rang, music from the Annan band played and flags flown”. “A fountain was erected between the Kings Arms and Commercial Hotels being the principle place of resort for the congregated crowds” “This structure, formed of fire clay is in a Roman style of art with Grecian ornaments and is very handsome”

The opening ceremony was performed by Provost Nicholson and was not without incident. When the Provost turned the valve, water shot into the air and descended to soak the assembled citizens!

This fountain was only ever intended to be a temporary fixture and was moved to Nithbank Hospital when our current fountain was unveiled 30 years later.

The fountain is no longer at Nithbank and further investigation is needed to uncover its current whereabouts.

Original fountain sited in Nithbank
Original fountain sited in Nithbank

The district council funded the purchase of the new fountain from the Sun Foundry, while donations from the townspeople of Dumfries paid for its decoration. A total of £191.0s 6d from 221 subscribers was raised. The fountain was a glorious sight to behold and the townsfolk crowded onto the High Street to witness the unveiling. The Dumfries and Galloway Standard dated 6th December 1882 describes the fountain in vivid detail.

Brilliant painted photo showing original colours
Brilliant painted photo showing original colours

“The boys, the dolphins and the storks are entirely gilded and look to be figures in massive gold. The ground of the fountain is bronzed with some of its conventional details displayed in gold. On four pedestals in the freestone basin are placed as many iron vases holding each a large iron cactus, coloured so cleverly after nature, that many who saw them thought they must be real.” – where are these cacti filled vases now?

Boys at the Fountain 1900
Boys at the Fountain 1900

In an amazing coincidence, the town of Kandy in Sri Lanka has an identical twin fountain! The inscribed dedication on the fountain reads “Erected by the Coffee Planters of Ceylon in Commemoration of the visit of Albert Edward, The Prince of Wales (1841-1910) to Kandy December 1875.” The Prince of Wales was the eldest son of Queen Victoria (1837-1901) who succeeded his mother as King Edward VII (1901-10). It was recently renovated and ceremonially bequeathed to the public of Kandy in June 2013.

Prince of Wales Fountain in Kandy, Sri Lanka
Prince of Wales Fountain in Kandy, Sri Lanka

Our fountain is a hugely important part of our social history. It marks a turning point for our ancestors, the people of Dumfries. It currently stands in a very sorry state with peeling paint and green algae. This once celebrated jewel of Dumfries town centre needs our help. Sadly, due to budget cuts, the maintenance of the fountain has not been a priority for the local council. Therefore, it falls to us to rescue it and bring it back to life.’

Sad fountain
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Musings News

Quest 3 at SUBMERGE

“Quest” is an ongoing environmental project by artist Jan Hogarth, exploring our relationship with the environment, land, and water. Jan’s working practice grows out of a deep love of the land (in the broadest sense of the word—by “land” I mean water, trees, animals, mountains, etc.), an empathy for it, and a deep desire to heal it. Jan has been working with Sheila Pollock, a practitioner in the healing arts for over 30 years, and invites others who love the land to become involved in the environmental art quests.

In Celtic tradition, healing wells, springs, and the sources of rivers were thought to possess sacred and healing properties.

“Quest” explores rituals and the truths behind them to create and invent new environmental art rituals aimed at healing the environment. The idea of searching for the source of the Nith originated from a local rumour that the Lynors of Dumfries Guid Nychburris took spring water from the source of the Nith and carried it with them when they rode the boundaries of the town. My friend Sheila, who has been working in the healing arts, and I went in search of the source of the Nith, which is located at Dalmellington in Ayrshire. Instead, we found an environmental catastrophe in the form of open-cast mines and landfill sites, with no access to the source due to the activities of the open-cast mine operators. It was shocking—how could this river be healed when its source serves as an example of how we take from the land without empathy for our energy consumption? This seemed to act as a metaphor for the wider issue of climate change. The problem lies with us—our lack of love for non-human life and our lack of reverence for nature, water, and the land.

Sheila has worked with Jan on the Quests project, focusing on the energy of water and its places, and exploring how to lift that energy and raise its vibration. Through dowsing, there is evidence that the vibration of the water she worked on during Quest 1 was raised, and that improvement has been sustained. The Nith presents a significant challenge due to its source in an open-cast mine. Sheila and Jan will be discussing this on Thursday evening at the Stove as part of their work.

Jan’s install in preparation for SUBMERGE

Quest is part of SUBMERGE, an exhibition featured in ArtCOP Dumfries, running daily from 10:00 am to 5:00 pm until Saturday, 12th December.

Jan and Sheila will be discussing Quest as part of A Question of Scale

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News Project Updates

Thinking Differently About Our Town

Dumfries is a town at the gateway to Scotland. Famous for its relationship with Rabbie Burns, the town is the nodal point of the region (Dumfries and Galloway) and has a strong heritage and an even stronger cultural potential.

Cities, towns, and villages across Scotland are reimagining their centres and the functions they serve within their urban settings.

Inverness is creating various artworks along its River Ness, ranging from simple signage installations to engineered viewing platforms. Oban is reinventing its waterfront and becoming a hub for the Hebrides. Helmsdale has centred its village around arts and heritage, with a wonderful cultural centre that is growing by leaps and bounds. Even rural Scotland is part of the movement, with initiatives such as the Scottish Scenic Routes, Spring Fling, and the North Coast 500 aiming to redefine the landscapes in which they are situated.

Dumfries shares a similar ambition: to reinvent, reimagine, and reactivate its high street, town centre, and the wider region. The Stove Network, working in collaboration with Lateral North and creative organisations throughout Dumfries, would like to invite you to contribute your ideas for the future of Dumfries—ultimately to generate new concepts within the town to showcase the heritage, cultural, environmental, industrial, and creative communities that thrive here.

Join us to design these interventions, contribute your ideas, and discover the Dumfries you don’t yet know.

If you’re someone with a passion for the town of Dumfries and a commitment to being part of its future, join us for the Cultural Wayfinding Workshop on 15th July at The Stove.

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News Project Updates

Parking Space – Details Announced!

Excitement is building in stove central as we prepare for Parking Space this weekend, which sees the stove taking over an underground car park in Dumfries for two days.

Expect the unexpected, bring a warm coat, a torch, your skateboard…. we’ll provide the rest.

The Stove’s AGM-like-no-other will take place on Friday 17th October in the NCP Southergate car park from 6pm and is open to all, including non-members.

The AGM will be followed by a discussion evening over food, where we will be having a closer look at Situations’ New Rules of Public Art and the evolving role of public art in Dumfries and wider afield. We are pleased to announce that we will be joined in this by Stephen Pritchard of Dot to Dot Active Arts, and Alex Wilde and Hannah Brackston of Open Jar Collective. 

This will be followed by a screening in our Parking Space cinema of How to Start a Revolution.

The AGM and discussion evening are free to attend, but please RSVP to [email protected] for catering numbers.

Parking Space will run throughout Saturday 18th October, from noon until 10pm.

  • Level 1 – Street Games (noon – 4pm)
  • Level 2 – Open Skateboarding
  • Level 3 – Moving Image Installations (as part of South West Picture Show), including: Mirrorlands – Mark Lyken and Emma Dove
  • Level 4 – Gab Cab by Stove Artists in Residence, Mark Lyken and Emma Dove
  • Level 4 – Parking Space Cinema – a programme of artist films on the theme of popular protest and civic action. Film screenings will include: Nae Pasaran – Chappin’ – How to Start a Revolution – UCS 1 (fly on wall documentary about Clydeside shipyard work-in 1971)
  • Level 4 – Parking Space Cinema – 2pm Shell and 7pm Dogtown

All events are free, and will be announced over the coming days via our social media on facebook, our blog and twitter

See you in the car park!

Categories
News Project Updates

Rushes from Trading Journeys

The Stove Network’s Trading Journeys began with artist Alice Francis and her fine friend Douglas setting off for Wigtown

Alice and Dougal travelled the highways and byways of Galloway for three days to get to Wigtown
Alice and Dougal travelled the highways and byways of Galloway for three days to get to Wigtown
Alice Francis and Dougal in Creetown
Passing through Creetown
jam making in Gatehouse
Meanwhile in Gatehouse of Fleet some serious outdoor science was underway
Phoebe Makes Jam
Artist Phoebe Marshall explains the finer points of bramble and apple jam making
Charcoal Making
Charcoal making was also on the agenda….crucial to what was to come in Wigtown
Bicycle Powered Foundry on the move
On the Morning of 27th September Uula, Lorraine, Arny and Inti were first on the road – pedalling the bicycle powered foundry through the Galloway Forest Park towards Wigtown
Creetown Ferry Bell
Meanwhile in Creetown the Ferry Bell was decked out with it’s flags
Ringing the ferry bell
…the Bell was rung
Boat Launch Creetown
…and the boats were launched
Boats heading for Wigtown
carrying their precious cargo of charcoal, the boats headed for Wigtown following the long disused route of the Creetown-Wigtown ferry
Flyers in Wigtown
Word was getting around in Wigtown
 Alice and Dougal in Wigtown
Alice and Douglas had arrived in Wigtown and made a standard from the tins they had collected
Trading Journeys Camp
The Wigtown Showfield was transformed into a Trading Journeys Camp
drumming in field
Where you could drum….
Moxie and her Troubadours
….compose a ballad with ‘Stove Herald’ Moxie and her troubadours…..
Mould making 1
…..make a mould for one of the 45 Wigtown Spoons under the close eye of artist Katie Anderson….
Jam making in showfield
….make jam……
Tea and scones
…..eat jam with scones and tea…..
Boat arriving Wigtown
Then the boats arrived at Wigtown Harbour
Procession 1
It was time for the Trading Journeys procession to move everything we had gathered from the Showfield to the Town Centre
Boat in Procession
One of the boats joined in
IMG_8477
…so did the foundry and the horse and cart…
arriving at County Buildings
…the procession arrived at County Buildings and made camp once more
Will and Megaphone
Will explained what would happen next
Firing up the foundry
everyone had a shot of firing up the foundry with pedal power
Dampers and Jam
Dampers and Jam were cooked
moulds waiting
the moulds people had made waited patiently
when the scrap aluminium melted in the foundry it was poured into the moulds
when the scrap aluminium melted in the foundry it was poured into the moulds
waiting for moulds to cool
Katie knows how long to wait….
opening the moulds
A Wigtown Spoon fresh from the mould
spoon moulds
freshly cast spoons waiting to be claimed by the people who had made the moulds
Finished Spoon 1
One of the first finished spoons – cleaned up by its owner……the wee copper tags had edition numbers 1-45
Finished Spoon 2
This beauty was made by our new friend Helen who had travelled all the way from Manchester to be part of Trading Journeys!
Spoon Dancers
The mysterious Spoon Dancers brought the day to a spectacular climax
Spoon dancers + tribe
The Trading Journeys Young Team who had been part of things all day – joined the Spoon Dancers for their exit stage left

HAPPY DAYS!

Photography by: Kim Ayres, Matt Baker, Colin Hattersley, Will Marshall and Colin Tennant

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