Dandelion is a national creative community food growing initiative that is coming to Stranraer. It is part of the UK wide UnBoxed Festival; a UK wide celebration of creativity taking place in 2022. A new community garden, known as an Unexpected Garden, will be created on the harbour that brings together food, culture, ideas, and technology driven by the concept of sow, grow and share. There will be 12 unexpected gardens across Scotland including floating gardens in Falkirk and touring garden on the back of an HGV lorry in Caithness. At the heart of the project, we want to reconnect people with the food they eat, how it’s grown and show them that in the unlikeliest of places food can be grown. There will be a summer events programme which will culminate in a harvest festival in September – with the aim of re-establishing it as a cultural festival for the town.
Why we’re doing it?
Dandelion is committed to empowering young people, inspiring the creative sector and offers new opportunities for the Stranraer community – which is why we’re taking part. Working in partnership, Stranraer Development Trust and The Stove Network are proud to be part of this new initiative that’s going to get hundreds of people growing their own food across Scotland, with over 400 schools taking part and a new archive or stories about growing, gardening and the unique history and memories of the town and local traditions.
What have we planned?
Our Unexpected Garden will be a hive of activity over the summer with a range of volunteer opportunities, events, workshops, and our take on the Harvest Festival. The garden will be a fantastic opportunity for people to come and learn the basics of food growing, try their hand at gardening and become part of a vibrant community; we are looking forward to welcoming new and experienced gardeners (I include myself in the latter).
People will be able to attend our free events and workshop programme over the summer which will encompass talks, music, crafting, music, and art, as well as veggie and herb plug giveaways and vertical farms on tour. Find out more about our programme of events on our Facebook Page.
Process up until now?
Over the course of the past few months, I’ve enjoyed having the opportunity to chat with members of the community to hear what they want to get from the garden and the types of activities they’d like to see there. The garden will be a community project that will continue to evolve over the summer, and I am looking forward to watching it grow as more people visit the garden and leave their mark on it.
Part of my own personal process has involved moving up to Scotland from a small town in Leicestershire and coordinating the build of a new community garden; two things I never imagined happening in my wildest dreams; a comforting reminder that you never know what’s around the corner. I’m sure the garden will continue to remind me of that.
We’ve been lucky to have the support of Northern Lighthouse Board and CalMac who are donating old nautical items including a 27ft lifeboat and 2 big colourful ocean buoys to the garden to help us create a garden fit for a seafarer. Burns Real Ale and Dumfries & Galloway Council have kindly allowed us the space to bring the project to Stranraer and Ulsterbus, who will be providing access to water for the garden have also kindly housed 25 tonnes of soil & mulch.
20 days (or 115 hours worked flexibly across more days), plus attendance/performance/presentation at the culminating Harvest event in September 2022.
Fee: £4,368
(21 days at £208, 20 days residency programme and 1 day attendance/performance at the Harvest event) There will be a small allowance available for local travel and subsistence.
We’re looking to for a creative musician, to join our Unexpected Garden – Stranraer team to compose a new piece of music in response to a community garden being designed and built in the iconic harbour area of Stranraer.
The Musician in Residence opportunity is open to both emerging and established musicians who are working in all genres of music. We are happy to consider applications from duos and bands, as well as individuals.
Situated on a piece of land, affectionately known as the Grassy Knoll, on beautiful Loch Ryan, the Unexpected garden – Stranraer will provide an injection of colour and life to the harbour area, supporting regeneration.
This will become a space for the community, who will play a key role in the design and transformation of the site into a garden.
The project will promote and demonstrate sustainable gardening, be a space for community events and take inspiration from the town’s nautical identity and past, playing with maritime themes.
Interested? Here’s how to apply:
Tell us how your work and practice fits with the nature of the Unexpected Garden – Stranraer project specifically, and what appeals to you about this opportunity.
Please apply in a format that feels comfortable to you. This could be in writing (maximum 2 x A4 sides for a covering letter) or by submitting an audio recording or a video (maximum 10 minutes).
Please also provide 3 examples of your work and a link to your website or social media.
All applications should be sent for the attention of Beth Piggott, Emerging Creative Producer to: [email protected]
Please note that there are 10 commissions available all over Scotland, so although we want to hear from folk in D&G it could also be applicable to organisations across the country.
November: New Beginnings & Fond Memories at 100 High Street
November’s here! For all its drizzly driecht, soggy leaves and howling breeze, it’s all go for a month of dance and exhibition, climate chats and birthday celebrations!
But first…you might have heard about COP26.
Yes, the glitterati of global politics will be arriving in Glasgow, in all their blue blazered, shooder-pads and pouting. Not to mention the news crews and protestors, police vans and placards, it all feels a little bit nerve-wracking. (Yes, just what we need from this year, another thing to worry about!).
So while the whole wide world tumbles on to George Square and Kelvingrove, we want to ask; what does all this mean for us down here?
A Doonhamer’s Guide to the End of the World
Creative Spaces are hosting a series of conversations, workshops and creative activities for people under 30 to share, collaborate and make their ideas heard in the big climate conversation. Working with Historic Environment Scotland the programme explores climate through story and myth, unearthing our local history to see what lessons can be learned from our past to guide the future we’ve yet to take.
Alongside this, Reel To Real, the Stove Cafe’s monthly film night, will be screening two films exploring climate, loss, distance and relocation, from Africa to Ireland. Our Reel To Real film nights include some scrumptious pre-movie scran courtesy of stew-maestro Marcus, from 5PM through till 6:30!
First beginning in June of 2019, Atlas Pandemica: Maps to a Kinder World is a compendium of 10 projects led by Dumfries & Galloway based creative people exploring different themes highlighted by life during the COVID pandemic, working directly with people in the region, it focussed on the impacts and learning from the community’s experience of the evolving pandemic.
The project is now drawing to a conclusion, aside from the many outputs each of the commissioned artists have shared, a collection of 10 maps, based on each of the project’s findings will be unveiled as part of ‘After the Pandemic’, Glasgow’s creative and cultural fringe at COP26. For more information on the project please visit www.atlaspandemica.org
Are ye dancin? We’re askin!
Join us on Saturday 6th November for an intimate evening of dance performance and conversation as DG Dance celebrate the end of their first season touring pop up dance across Dumfries and Galloway.
Martin McKeown, taken as part of Sanquhar Arts Festival.
The evening will include a performance of Matthew Hawkin’s Triple Echo, sharing excerpts from new screendance research with Emma Dove inspired by Emma Jayne Park’s touring performance And Now We Unravel, Again, and a performance of Louise Ahl’s newly premiered work heartbeats, fresh air, gestures, time.
This will be followed by an open conversation with lead artist Emma Jayne Park, and company dancers Claire Pencak, Jorja Follina and Malcolm Sutherland.
The following week, we’ll be showcasing the final UK screening of Penny Chivas’s ‘Burnt Out‘ this year, followed by an opportunity to discuss the work with the artist.
Brian Hartley
With original music by Paul Michael Henry, interwoven with the delicately detailed lighting design of David Bowes, this is an autobiographical dance-theatre work from the daughter of an environmental geochemist, bringing together fact and personal account. ‘Burnt Out’ is at once an intimate personal story and a universal meditation on our changing climate.
The Dumfries Fountain Project: Research & Studio Work
A pop-up exhibition at The Smithy, 113-115 High Street, hosted by artist Alex Allan. Allan has been working with the Dumfries Fountain Project coordinated by the Stove Network, exploring, and designing a proposal for a permanent piece of public art to be situated by the Dumfries Fountain to complement the historic landmark.
You are invited to consider the research gathered during their time in Dumfries, experiment and play with ideas and materials from the studio and contribute your own thoughts to the work. What would you like from a new piece of public art in the centre of the town? This is a unique chance to hear from the artist themselves and learn more about this timely and fascinating project. Come on in!
Dumfries Fountain Project: Film and Soundtrack Premiere
The Smithy, 113-115 High Street Saturday, 13 th November 5-7pm
Join us for a celebratory evening marking the conclusion of our two Holywood Trust commissioned artist projects, with a sharing of the short documentary film created by filmmaker Patrick Rooney, and film soundtrack by musician and composer Jenna Macrory.
After the screening we’ll be hearing from our two commissioned artists about their experiences with the project. Light refreshments provided. There is limited capacity available for the event so please sign up via Eventbrite to let us know if you would like to attend.
Can you believe we’re 10 years old? Seems like just yesterday, the Stove were chalk painting flagstones and launching a coo into the Nith (not an actual coo, don’t fret).
10 Year Celebrations
Join the Stove as we celebrate our 10th Birthday! We’ll be turning the Stove Cafe into a t-shirt printing factory where you can print your own 10th Anniversary t-shirt, and the cafe will be open with a special menu (yes, there will be cake!).
Our pals Dave Bass and the magnificent Dumfries Music Collective, fresh off the heels from their stellar 2021 conference are finally back to takeover the Stove Cafe with the U18 Acoustic Cafe. Featuring a line-up of fresh voices from the region, the afternoon is open to all to enjoy. More info coming soon!
Doughlicious
D’ough! Doughlicious are back in the building! Share ideas and recipes whilst breaking bread with like-minded folks. Featuring practical workshops exploring techniques and style, for those that kneed that extra bit of help and radical recipes for aficionados, from chapati to brioche!
Women Signwriters Assemble!
Dumfries Women’s Signwriting Squad are back again with the wee monthly meet-up. This session, open to beginners of all levels, will teach you the basics of signwriting. A popular event so sign up to guarantee your spot!
It’s not as gloom as it sounds, we promise. Dark Time is our yearly switch off, where we re-group as a team, drink too much coffee and chat all things Stove. From planning 2022, pouring over our members feedback (thanks by the way) and reflecting on a year unlike any other.
As we draw some breath from the run of festivals and projects, from wild geese to multiverses, we’re making time to ask some important questions. From who uses the Stove, to what we can offer our community and what themes might take us forward into the new year. We divide our conversations into three areas, which include:
Are you interested in Dark Time? Let us know by emailing [email protected].
The Stove Network is delighted to share some new commission opportunities to work as part of The Dumfries Fountain Restoration Project, a collaborative project between The Stove Network and Dumfries and Galloway Council.
We have three current opportunities:
Dumfries Fountain Public Art Commission
Young Filmmaker Commission
Young Musician or Composer Commission
These three opportunities have been created as part of the engagement phase of the project, which looks to work with local people to share the history of the fountain and Dumfries’ Water Story, and support interaction with the second phase of the project, which will include the complete refurbishment of the Fountain. Commissioned artists will work alongside and be supported by our Engagement Lead on the project, and The Stove’s Public Art Lead.
Public Art Commission
The Stove seeks to commission an experienced artist, designer or maker to design a permanent artwork to accompany the restoration of the Dumfries Fountain.
The commission is for the delivery of a fully costed and complete design for a permanent artwork to be developed alongside a creative community engagement project in the ‘water story of Dumfries.’ Further details and how to apply:
The Stove seeks to commission an emerging young filmmaker to document Stage One of the Dumfries Fountain Restoration Project.
We are looking for someone to document the programme of engagement, tell the story of the fountain and create a digital legacy for the project. Further details and how to apply:
The Stove Network seeks to commission an emerging young musician or composer to create an original soundtrack composition for film as part of The Dumfries Fountain Restoration Project.
We are looking for someone to work collaboratively with our documentary filmmaker to create an accompanying soundtrack for their film documenting the history and restoration of Dumfries’ Fountain. Further details and how to apply:
Our two emerging commission opportunities have been supported and funded by The Holywood Trust, a charitable organisation which aims to help young people in Dumfries and Galloway.
Deadline for Applications: Sunday, 13th June 2021
For further information about this opportunity, or to ask us specific questions about this project please email [email protected].
It was 2015. A year in from the Scottish independence referendum, when stickers faded pale on lampposts and flags fluttered limply in the breeze, or un-tethered, clung to high fences like a loose pair of nickers. It was as though some basic law of thermodynamics failed to take place. As if that fiery energy ought to have moved on. Heated up some other vessel or agitated another movement. Instead, it lingered in the air, resigned itself to the bar stools and blogs for the time being. And most people just got on with their lives, some relieved, some numb and others, angry as ever.
Writers Sarah Indigo and Eryl Sheilds concocted Brave New Words as a space to confront some of that undirected energy left from the referendum. We worked with them on structuring the day, talking with schools, community groups and others to come along and work it all out through a series of writing workshops, discussions and debates. That evening, we hosted the first Brave New Words Slam, an evening of spoken word, performance and beat-style poetry, reminiscent of the back alley bars of Brooklyn circa 1960 lit up the High Street. Well, not maybe not quite like that. But in my head, everything feels a bit like that. The poets played a blinder. From the ages of 14 to 80, it felt like something pretty special had happened.
A year later, we lost Sarah too soon. A light went out in the spoken word community in Scotland, with tributes pouring in from the central belt to the Galloway coast. Her work broke stigmas, challenged the status quo and energized everyone she came into contact with. Each birthday since then is not only a celebration of words spoken, sung, shot, signed or silenced. It’s a tribute to our founder and visionary.
This year, as it stands, is so unlike all the others. We’re not able to meet. And whilst we’re all weary of the rolling lockdowns, the dead air of pubs without music, the face masks, the rumbling anxiety of purchasing a pint of milk from the supermarket. It seems that now it’s more important than ever to celebrate as we once did and to share our thoughts, feelings, creativity and power with each other is so vital in making sense of the world around us. Beyond the peeling vinyl stickers of the town centre and the tequila-scented hand gel.
Just as in 2015, there’s an energy now that lingers in the air. What it is we can’t be as certain of what it is as then, but it comes out in the quieter moments of our lives. That’s when stories are written, songs are sung and creativity thrives.
Brave New Words is not possible without people. Literally. I’ve tried. More than a couple of empty mic nights confirm this. It’s the space to take a chance, often when you never you thought you had it in you. And each month, it’s completely different from the last. From epic poems on elderly cats, to Kate Bush inspired fluorescent neon dancing, 10 minute silences and rabble rousing political speeches.
So join us as we celebrate everything Brave this September. I mean, what else is there to do?!
Coming up this Friday, 28th February as part of National Theatre Scotland’s Just Start Here festival in Dumfries will be the next development of Solway to Svalbard, an creative project led by composer and musician Stuart Macpherson, in collaboration with filmmaker Emma Dove and sound recordist Pete Smith.
Following a successful starter residency supported by NTS, and a recent trip to Svalbard on the trail of the barnacle geese – the project has continued to grow and develop, so we are so excited to find out more about how the work has been developing! Ahead of Friday, Stuart tells us more about the project:
How did it all begin?
Well… funnily enough it all started off with a commissioning opportunity through the Stove Network for one of their members to create a piece of work responding to the brief of Migrating Birds, to coincide with the opening of Kathy Hinde’s Luminous Birds installation that was coming to Dumfries.
At the time there was another Stove project exploring Dumfries’ ties to Norway and I thought I’d explore the avian link between Norway and Scotland. I knew the barnacle geese that came to the Solway each year had something to do with Norway but didn’t realise that was just their spring staging point and they in fact came from Svalbard. Pretty impressive… there’s also loads of really cool mythology surrounding the geese which is fascinating.
Anyway, the resulting piece that I created was “Flight” – a migratory soundscape incorporating field recordings and free triggered samples. Pretty early on in the process of making that piece I started to think about where they stop on their journey and the idea of exploring those environments. I really liked the idea of incorporating visuals and some proper field recordings. Also, I guess I had grown a bit of a fondness for the geese through working on “Flight” and felt that I wasn’t quite finished with them yet!
Its important to me that I make work that has a relevance to where I am and with what is around me.
I also wanted to work on this project with other artists that have ties to the region, Emma and Pete were an obvious choice, I love both their work, they’re really good at what they do and in fact both had been involved in some level with “Flight” too.
What about geese particularly sparked your inspiration?
Initially the folklore surrounding the barnacle geese was the bit that got me hooked, the idea that folk actually thought they hatched from barnacles on bits of driftwood… totally brilliant! But I guess very quickly there was an admiration that grew for them, it is amazing what they do – the distances they travel each year. They evoke a lot and represent all sorts of different things to different folk, all the while they’re just being a cool wee goose flying between here and the high arctic trying to eat the best grass when it grows and raise a family… I like that.
I believe you’ve visited Svalbard twice now, along with your key collaborator Emma Dove to record the geese as well as the natural surroundings. How has this affected the work?
I’ve actually only visited Svalbard once… and that was with key collaborators Emma Dove and Pete Smith. We also have spent a fair amount of time at Caerlaverock filming and recording the geese and last April/May I spent a month on a wee island in Northern Norway (just in the arctic circle) where the geese spring stage on their way north.
So yeah, a lot of this project has been about filming and recording the environments that the geese pass but also about talking to people and what place means to them. It was particularly important for the three of us to make it to Svalbard as that has really put things into context, to be able to explore the furthest extents of the flyway and get a perspective from both ends.
Its been an interesting one as a project that started off with the geese has ended up with lots of chat about people, its been a very organic process. We’ve learnt a lot from each other.
How’s it been working with the National Theatre of Scotland?
I’ve been really enjoying working with NTS on the project, they’ve been incredibly supportive, not just with the narrative development of the work but also with the technical/practical side of things and being able to help hold the production elements of the project… something that I personally find pretty overwhelming.
They’ve got a huge amount of experience and all this resource that we have been able to access, so its been a really great process for us.
We’ve been working closely with director/playwright Davie Anderson and he feels very much like part of the Solway to Svalbard team now, having that outside lens to look at a project has been a really helpful. He’s been encouraging and supporting us to explore different ways of presenting the work… its definitely been a change from what we are used to within our own practices and at times a little daunting but actually it has been really refreshing and enjoyable and genuinely feel the work will be the better for it.
Its also been great to work up at Rockvilla, to have a bit of separation to properly focus on a project has been super helpful, not to mention that it’s a really cool space to work in.
What should we expect?
That’s a hard one as we’re still working that one out ourselves… I guess showing the work through Just Start Here allows us to properly test for the first time all the different elements of the work, that up until now we have been unable to. As well as figuring out how to actually make this work we’ve been focusing a lot on the narrative of the project, and feel we’ve got to a really strong place with that. There’s obviously elements that will be missing for this showing, but we’re hoping that folk will be able to get a good idea of what the finished work might be like.
For lots of different reasons this is a pretty complicated show, we’re combining multiple screens with surround sound design and live musicians as well as dialogue and other more theatrical elements. So on that side of things it looks and sounds pretty cool… not the kind of thing you see very often… especially in a social club.
What are the future plans for the work?
What is great about Just Start Here is that it is an opportunity to test ideas and to see how folk respond to those ideas. There will no doubt be things that need tweaked afterwards as well as other elements that we simply have not had time to get to yet. We have a rough diamond here.
As I’ve said previously I’m really enjoying working with NTS on the project, so would like to continue that journey and see where we end up. But the idea would be to create a touring work… it makes perfect sense to me that a work based on migration should travel itself.
Solway to Svalbard will be a part of Friday evenings Just Start Here festival, in Dumfries on Friday 28th February. Limited tickets are still available for the evening are £5 per person, and available online here
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