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Musings News

Stoicism

Ahead of Creative Space’s mindfulness month, team member Jenna Macrory shares her thoughts on using Stoicism as a method of mindfulness for creating.

Note: Each of the following points could be an essay in its own right. It was extremely challenging whittling down such an expansive way of thinking into a few points. Although I’m an avid fan of Stoicism I am no expert. What I do not what the following text to be interpreted as is me preaching an approach to being creative (although I hope you do find elements of it you can employ in your own life). This is simply an account of how I use this thinking in my own practice

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As a teenager, I used to wish there was a way to know how to make the “right” decisions. I would get incredibly overwhelmed and often burnout because of the pressure I placed on trivial matters. Then I encountered Stoicism, an ancient school of philosophy emerging in the third century B.C.

Initially developed by the Greeks and expanded on by the Romans this approach to life became incredibly beneficial for me because it provided a set of logical rules to live my life by. Stoic teachings made sense of the difficult times and provided me with a way to navigate life’s complexities. As I’ve progressed through my musical career I find myself turning to the ancient teachings as a way to navigate a highly competitive sector.

One of the most common misconceptions about Stoicism is that it is simply about remaining stoic. Rather than being concerned with enduring hardship Stoic thinking is about facing these difficulties head-on by identifying what is, and what is not in your control. Roman Orator Cicero offers the analogy of an archer shooting an arrow to aid us in comprehending this:

“Take the case of one whose task it is to shoot a spear or arrow straight at some target. One’s ultimate aim is to do all in one’s power to shoot straight, and the same applies with our ultimate goal. In this kind of example, it is to shoot straight that one must do all one can; none the less, it is to do all one can to accomplish the task that is really the ultimate aim. It is just the same with what we call the supreme good in life. To actually hit the target is, as we say, to be selected but not sought.”

The archer can do everything within his control to hit the target, from strenuous training to the selection of adequate weaponry but despite this, there are still variables once the bow leaves the arrow. The shooting of the bow is in the archer’s control but the arrow colliding with the intended target is never guaranteed. This is extremely relevant for the majority of creatives in our modern world.

When I release a song there are many factors within my control including the sound of the track and the marketing but alas this does not guarantee the commercial “success” of the song. The number of times my song is streamed or shared is not something I control even though I have aimed for my personal goals. I have selected my target but it is not sought after.

This brings us to my next point, who are you making your art for? To illustrate this point I would like to reference the Byzantine Military Commander Belisarius. Born in 500 A.D., Belisarius accomplished a plethora of notable military conquests in his life including recapturing Rome following the demise of the Western Roman Empire. One would expect a commander of this calibre to be adorned with military accolades but contrary to this Belisarius was condemned by the paranoid emperor that ruled over him. Emperor Justinian the first grew suspicious of Belisarius and his achievements were underwritten by bad politics which eventually led to him being tried and convicted for conspiring against the Emperor. The irony of this is that Belisarius had the opportunity to cease the throne multiple times but he chose not to. He identified that this was not his path, it was not his work and he took pride in the career that he did have. He showed up, he did his job and he expected nothing more.

Despite historians and scholars criticising Justinian’s treatment of Belisarius, according to records, he was not one to complain about his poor treatment. Although extreme examples of Stoic values such as this are not uncommon in the Classical Era, they are highly applicable to the situations many artists find themselves in. Belisarius was able to bypass the negativity associated with his circumstances because he was simply doing his job. He identified that not only did he not have control over how the Emperor may treat him but he knew that any additional praise that resulted due to his conquest was simply a bonus. This is how creating art should be.

Interpreting the Stoics it becomes evident that the purpose of creating music or any art form is not to receive praise. Any praise received is a bonus.

Believe in your art and make art that is true to you and your ego will get out of your way.

It is very easy to say all of this but from my experience with Stoicism, it is an intense philosophy to live by. It is not as easy as just being the best version of yourself it is naive to think it is this simple. Life often gets in the way but that is okay, it is okay to stumble and falter when we are trying to be better, and we can see this depicted by one of the world’s most prominent Stoics Marcus Aurelius:

“When jarred, unavoidably, by circumstance, revert at once to yourself, and don’t lose the rhythm more than you can help. You’ll have a better group of harmony if you keep on going back to it.”

New Year resolutions are the perfect antithesis of this quote. Too many of us are familiar with the process of setting an overly ambitious goal which will leave us disheartened when we inevitably give up because we are unable to incorporate our new goals into our lives in a healthy manner. Rather than reprimand ourselves for this, Aurelius conveys that this will be unavoidable at times and that is okay. But we should not give up. We should go back to our goals and approach them in a manageable way. Before utilising Stoicism in my practice I would spend long days at my computer making music before getting frustrated because I had not produced any quality work. This would result in long hiatuses from music-making which would make returning to composing incredibly daunting. Now instead of pressuring myself into long sessions, I dedicate two or three hours every night to making music. It is a healthy part of my schedule although I do also have a social life which does often result in socialising during this time. Although I am strict with my music-making when I miss a session I do not get frustrated at the fact I have not composed that day. Rather I recognise this, reflect and set the intention to compose the following day.

Despite history repeating, we tend to disregard the teachings of civilisations that came before us. Stoicism has guided many people since ancient Rome through life and as long as humanity remains it will continue to guide many more generations. Although Stoicism has been adopted by a variety of people it still seems absent in the creative industries. Through implementing Stoicism into your creative endeavours there is an opportunity to supercharge your art practice while becoming resilient to the mental strains of life. 

How do you cope with the stress associated with being creative? Next week Creative Spaces launch their block of workshops on mindfulness. We’ll be launching this block of workshops with an open discussion on mindfulness next week (Thursday 3rd) at in The Stove Cafe from 7pm. If you’re under 30 and would like to attend you can register below:

For information on all our Creative Spaces Mindfulness Events check out our events here.

Categories
Musings News

Oor Wee Winter Gaitherin

On Friday 3rd December, we had the opportunity to host the Winter Gaitherin – our festive celebration in Fountain Square! Dumfries town centre became a warming, magical place to be with lots of twinkling lights, fun workshops and wonderful live performances all taking place outside The Stove and in lots of other venues around the town!

If you couldn’t join us on Friday, here’s a little recap of what went on.

Preparations started early on Friday morning, as we set up the picnic tables and dressed them up with some Christmas decorations to get everyone in the spirit!

There was lots to do and see, with hours of festive fun about to unfold in the town.

Kicking off our celebration, Susi Briggs and Alan McClure of Oor Wee Podcast joined us on the Winter Gaitherin stage with a lovely live storytelling performance from their family-friendly podcast.

We then had a very special visit from the Pirate and the Pixie from Moat Brae! Telling their own special story and keeping lots of families entertained with their tales of adventure.

Oor Wee Podcast

Over at The Smithy, Big Burns Supper had a brilliant lantern-making workshop for all the family to enjoy, as well as artist Andy Brooke on hand to show us how to make your own window decorations. They were also joined by Arts End of Somewhere, who were taking part in discussions around their award-winning storytelling and performances!

Festive Window Decoration Workshop hosted by Andy Brooke
Lantern Making Workshop Hosted by Mia from the Big Burns Supper Team

(Stay tuned for Big Burns Supper’s carnival in January, when they will have a lantern procession that you can take your lanterns from the workshop along to – find them on Facebook, Twitter, or Instagram.)

Just outside at the Plainstanes, we had D-Lux holding a pop-up video making workshop. Their tent was equipped with colourful lights for people to make their own light videos – D-Lux will be gathering all of these short video clips to project them all onto a Dumfries town centre building very soon! Stay tuned on this by following D-Lux on Facebook or Instagram.

D-LUX Light & Video Workshop

Round at The Wobbly Shelf bookshop, they held a letter-writing workshop for people to write their own creative letters, or to send warm wishes of hope to refugees – kindly taken in and sent on by the Dumfries charity, Massive Outpouring of Love.

Flourish also hosted their own crafty workshop for kids with Mr P’s Festive Craft Club! And Kings coffee shop even had their house jazz band, ‘Kings Own Blend’ for their customers to enjoy while they enjoyed a warm festive treat in the cafe.

Summerhill Community Centre joined us with some fun Christmas games to enjoy at their Christmas party!

Summerhill Community Centre Stalls

There were also some familiar characters who arrived to say hello…

Summerhill Community Centre Disney Performance

Later, Bogle Mufty took to the Winter Gaitherin stage with their lively folk music!

Bogle Mufty

And Michael Grant, too!

Michael Grant

Chris Gray then took to the stage with a special piece composed especially for Dumfries to welcome winter to the town, before Dumfries Community Choir gathered round for some Christmas chorals!

Chris Gray & Band

After all, what’s a Christmas celebration without a choir?

Dumfries Community Choir

Firstly, we’d like to say thank you to Dumfries and Galloway Council for approaching us to host a Christmas celebration in the town this year.

We’d also like to say a huge thank you to all that took part in our Winter Gaitherin, from the hard workers at The Stove to every single participant in our events programme – without you the Gaitherin wouldn’t have been possible!

And of course, an even bigger thank you to all those who joined us as they were passing by, or marked the date in their calendar to celebrate Christmas with us at the Winter Gaitherin.

It was about time we had something to celebrate again – and we all earned it.

Dumfries High Street

You can watch a short film covering the event created by photographer and filmmaker Ruari Barber Fleming on our youtube channel here:

From all at The Stove, have a Merry Christmas and a very Happy New Year when it comes.

Categories
News Project Updates

WWDN – Project Update

As the WWDN project develops, we’re excited to share with you an update from the towns, community groups (place hubs) and artists involved.

Currently in the research and development stage of the yearlong initiative, each of the five towns represented by the project, have begun to outline their respective project approaches, in collaboration with the commissioned artists and place hubs. Over the course of the next few weeks, we’ll be sharing with you, the ideas evolving in each place and hearing from the community groups from each town, with video and images provided by our Documentarian Duo, Patrick Rooney and Kirstin McEwan.

Stranraer is a town in a stage of transition, dealing with the effects of post-industrial decline but with a wealth of human and natural resources.

Stranraer Pier
Stranraer Millennium Centre

Working through the project Place Hub, Stranraer Millennium Centre, a state-of-the-art building, facilitating a diverse range of community activities; artists, Hope London and Rory Laycock have begun to connect with community groups.

Testing ideas and encouraging participation through a series of activities involving visual art, animation, music, words and new technologies they aim to encourage people to release their passions about the community.

Their work has begun with seaside-style mini-murals with blank, comic-book thought and speech bubbles for people to dream about possibilities, insert their thoughts and comments, and take photos which can then be shared with the wider community via social media.

It is their creativity and ideas of people in the town that the artists aim to build into their project.

For more information about the artists and to follow their progress click here

The NW Dumfries project is called ‘Living in Flats Together’ and will see artists Alice Francis, Rosie Giblin and Andy Brooke work with the residents of the c.70 flats that make up the six housing blocks on Dunlop Road in Lochside.

Andy Brooke

The commissioned artists are working through the project Place Hub, LIFT D+G and building a working relationship with Dumfries and Galloway Housing Partnership who own and manage the flats.

Angie Gilmour explains more about LIFT D&G below:

The artists ran a workshop activity as part of the recent Lochside Gala and got a fantastic response from community members, their focus now is on an initial series of pop-up events for the Dunlop Road residents which will involve food and creative activities, this will be first of series of events aimed at co-creating with residents a shared set of aims for their year together.

The artists hope to develop new spaces for longer-term activities with residents through the year and co-create some meaningful improvements for Dunlop Road.

Community Sculpture at LIFT D&G

Follow Andy’s personal blog here and find out more about the artists and follow their journey here.

Stay tuned for the remaining updates from the towns, community groups (place hubs) and artists involved…

OutPost Arts will work with artists Jim Buchanan and Sian Yeshe to re-activate existing play and meeting spaces, and create new digital spaces for young people focusing on themes of ‘Ownership & Voice’.

Sian Yeshe

Emerging artist, Sian Yeshe, is working with young people in Langholm through the Arts Bronze Award in Langholm High School, exploring the role of film and filmmaking in the creative expression of young people’s voices. Whilst in residence, Sian is exploring the use of digital technology to create in collaboration with young people, an online space, owned, managed, and programmed by people under 25 in Langholm.

Jim Buchanan

Artist Jim Buchanan is exploring play as a means of activating forgotten spaces within the town. From play parks to trails, Buchanan is focused on uniting community voices around the possibilities of play through a variety of creative activities from parkour to projection to illuminate and inspire new imaginative possibilities for the future use of these areas.

Find out more about Jim, Sian and Outpost Arts here

A multipurpose arts centre, A’ the Airts, works with the community in the production and development of community festivals, art projects and related activity.

A’ The Airts, Sanquhar

Artists Jack Stancliffe and Saskia Coulson and Colin Tennant are working with A’ the Airts to engage young people in a creative project, exploring their relationship to their town and their voice within it.

Jack Stancliffe

Jack Stancliffe, a creative practitioner in fields of education, amateur art, and contemporary performance, will be facilitating a playful and energetic approach, inviting young people into an artistic response to the town, where it was, where it’s going and how we get there.

Saskia Coulson & Colin Tennent, CT Productions

Filmmakers and photographers, Saskia Coulson and Colin Tennant, will work collaboratively with young people to create visual stories that explore and share their understanding of identity and connection with place, and will invite other creative practitioners from music, design and gaming to connect with and inspire the young people of Sanquhar.

Saskia Coulson and Colin Tennant prepping for interview with Patrick Rooney.

For more information about the artists and to follow the project, click here

The What We Do Now project, in Castle Douglas, has begun by finding practical ways for the community to meet the commissioned artists, Martin Danziger and Kiera Manson.

Martin Danziger

The artists attended Castle Douglas’ food and bike festival in July, running three short circus workshops for children, on Market Hill in the Talking Horse marquee, which was very well received by the community!

Kiera Manson

Martin and Keira have engaged an action research approach to get to know CDDF and the community through participating in a live event to understand a better what the community needs and hopes for.

Through conversations, and active participation, we hope to begin to shape our What We Do Now project in Castle Douglas around community interests and needs. Our hopes are to build a vision that incorporates community arts as central to our development of Castle Douglas as a family friendly town and a place for creative play.

Discover more about the artists and CDDF here

Categories
News Opportunities

Join the Dandelion Team

Opportunity for an Emerging Creative Producer to work in Stranraer

10 month full-time creative opportunity working on a national project with The Stove Network and Stranraer Development Trust

Extended Deadline – Midday 9th December 2021

This is an incredible opportunity for someone of any age but at an early stage of their creative career to work as part of a UK-wide project.

Dandelion is Scotland’s contribution to ‘Unboxed – Creativity in the UK’ and is an ambitious creative programme demonstrating the power of collective action in a unique ‘grow your own’ initiative for modern times.

This is a full-time (35 hours per week) position on a fixed term contract for 10 months from 1st January 22 to 31st October 22. The salary is £24,000 PA equating to £20,000 for the 10 month term of the contract.

Deadline for applications – Midday on Thursday 9th December

This role is designed for someone who is new to producing. The successful candidate will be mentored and supported by The Stove Network, Stranraer Development Trust and the Dandelion Network Coordinator.

Relevant on-the-job training will be provided and the successful candidate will be provided with the equipment they need (e.g. a laptop) to carry out their role, and we may be able to help with relocation costs.

If you are thinking about applying for the Emerging Creative Producer job in Stranraer and want to find out more, you can contact Matt Baker at The Stove Network by emailing: [email protected] or join Fiona Dalgetty, Futures Director and Jen White, Project Manager – Unexpected Gardens on Zoom between 1-2pm or 8-9pm on Wednesday 1st December.

If you would like to join one of these Zoom sessions, please email: [email protected]

Further Information about Dandelion

Dandelion is working with partner organisations around Scotland to create a series of ‘Unexpected Gardens’ one of these will be in Stranraer, where Dandelion will work in partnership with The Stove Network and Stranraer Development Trust.

Each Unexpected Garden will be planted in March 2022 and become a space for creative community events culminating in a unique Harvest Festival in September. Each Emerging Creative Producer will take a lead on designing and delivering the programme of activity for their Unexpected Garden. For the Stranraer project the Creative Producer will also be part of the team that designs and builds the Unexpected Garden.

The Stove and Dandelion are committed to creating a positive and inclusive environment where everyone feels respected and valued. We believe our work will be stronger with greater diversity and, as such, we welcome applications from those who bring a difference to our team, we understand that each of us bring our experiences, our backgrounds and our own unique lens to what we do.    

We encourage applications from all backgrounds and particularly welcome applications from those who are currently under-represented within the sector, including those from black and minority ethnic backgrounds, disabled candidates, LGBTQI++ and/or those from a low socio-economic background or requiring flexible working arrangements.

If you have specific accessibility needs in taking part in the application and/or delivery stages of the project please be assured that we will be supportive in discussing reasonable adjustments with you at any stage of the recruitment and selection process.

Categories
News Opportunities

OPEN HOOSE

Got an Idea? Get in Touch!

Open Hoose at The Stove Cafe

Open Hoose is a unique opportunity for anyone with a community-focused idea in Dumfries to use our cafe venue space alongside the resources of the Stove team to launch self-initiated projects and events through the support of the Stove’s experience, space, and production skills.

“Open Hoose is all about growing and nourishing new enterprises, projects, or events in the heart of the High Street.”

What is it?

Open Hoose is a funded* project all about giving good ideas a chance to grow. So whether it’s a regular jam night, a bread club, banner-making group or book club, we want to offer our space, our team and our support to help launch community-based and/or cultural activity in the town, housed within the Stove Cafe. Activity can be a one-off evening or a regular slot, it’s up to you!

Think of it as ‘testing’ an idea. So if you’re not quite sure of the details yet, or even how it will all work out, that’s okay! Come talk to us, it might just be what we’re looking for.

Who can apply and what we’re looking for

This opportunity is available to anyone with a community-focused idea.

We want to hear ideas that have the potential to grow. Even if you’re not sure. Sometimes the best projects can come from even a passing thought. You may even have a project already on the go but could do with that extra bit of support.

When?

Activity will take place between January – March 2022.

How ideas will be chosen

There are no exact hard and fast rules to the Open Hoose project, and we want to keep an open mind to new ideas that come through our door. As a community organisation, we believe no one should face barriers to participating in new experiences and creative activity.

With that in mind, we’re particularly interested in ideas that work with, for and about our diverse communities be them of interest, place, or identity.

We think of Open Hoose as a ‘testing ground’ for new ideas, from pop-ups to enterprises, new community groups or arts activity that may well eventually lead you to your next big thing.

Selections will be made against the following criteria:

  • The potential of the idea to grow and develop
  • Its potential to bring people together
  • Encourages people to try new things
  • Helps to grow the vibrancy of the town centre as a diverse, community-centred and lively place to live, learn and take part in activities

Whilst every idea will be considered, unfortunately not every project will be taken forward due to the resources, timescale and current funding available though we will ensure to provide detailed feedback in every enquiry.

We’re particularly interested in hearing from groups and individuals we haven’t yet had the chance to work with.

What the project cannot support:

  • Self – promotional and/or retail activity* (for eg: book launches, solo exhibitions, pop-up shops)
  • Private events
  • Corporate functions
  • Party Political Activity
  • Residency space* (for eg: private space for developing creative work)

All proposed activity should comply with the Stove’s values of inclusion, equality, and diversity.

Some examples of the type of activity the Stove has supported:

  • Drawing For Enjoyment
  • Doughlicious Bread Club
  • High Street Writers
  • Brave New Words
  • DoonGamers

What do you get out of it?

Dependent on needs, The Stove can offer free use of our cafe space in the evening, staffing, marketing support alongside technical and production assistance, decided on a case-by-case basis. We may be able to offer some financial contribution towards materials or other costs. We’re looking for ideas with the potential to grow, within or out-with the Stove Cafe.

Interested? Fill out the short enquiry form below!

Got a question or want to sound your idea out? Give us a bell on 01387 252435 or email [email protected]

*Funding: Scottish Government: Investing in Communities Fund

Categories
Musings News

We’re Celebrating Our First, Double-Digit Anniversary!

We can’t quite believe it, bit it’s true!  The Stove Network is 10 years old. 

A decade ago, a bunch of like-minded folks got together with the spark of an idea that creativity could play a part the future of Dumfries town centre. This band of local creatives had shared, practical experience from working on projects that had helped bring vibrancy, confidence, and partnership working to other places around the country, they wanted to see what they could do for their hometown and ta’da, The Stove was born.

The key idea of The Stove was that its agenda should be driven by local people – first and foremost The Stove set out to be a place that was accessible to everyone, somewhere that listened and somewhere run by people who saw their role to facilitate and add value to the ideas people brought to The Stove.

This core belief of community, collaboration, and support, continues to this day. It is the people who have made The Stove what it is and allowed us to continue our mission – to help make Dumfries, and our region, a place where communities thrive and a place where everyone is supported to be involved creatively and take part in the celebration and making of our culture.

We’d like to thank everyone we’ve worked with, those who have supported, participated, challenged, and pushed us to create meaningful and memorable experiences, opportunities and pathways for learning, collaboration, expression, and development across the region and beyond.

“… to celebrate ten years of the Stove we’ll be sharing the stories of those who have come through our doors, sharing their favourite memories…”

We asked some of our members, partners, friends, and colleagues, to tell us what The Stove means to them, and what they’d like to see next:

Stove Member, Gary Hunter

Gary found the Stove a few years ago and has gently become part of the heartbeat of the place. You can usually find Gary in the café giving an optimistic and encouraging word to everyone, but also look out for him at Brave New Words – his guitar playing and singing will touch your spirit.

1. How did you first get involved with the Stove?

I became involved with The Stove through the cafe, the ‘downstairs’. By seeing different events advertised, organised by ‘upstairs’, I’ve attended figure drawing classes, contributed poetry for an exhibition and taken part in Brave New Words.

2. What is unique about the Stove?

What is special about The Stove, is the generosity. Despite the ups and downs of life, there is a spirit of kindness felt in the cafe exuded from the staff. What I see about ‘upstairs’ is the opportunity it is attempting to provide those wishing to express creativity. An extension of the generosity of the cafe. This is what makes The Stove unique, it is not driven by business enterprise but by creativity.

3. What’s your fondest memory of the Stove?

My fondest memory of The Stove is from the cafe. A young woman came in for a coffee but didn’t have enough money to pay for it. She looked like she’d been sleeping rough and was about to leave, when the member of staff serving her reassured her and said the coffee was free. I’ll never forget her expression and gratitude as she left. Apparently, this is something done by other places, but I’ve only seen it done in The Stove.

4. What have you done with the Stove that you’re most proud of?

I’m not beating my own drum here, but what I’m most proud of is the first time I performed at Brave New Words, a couple of years ago. It was nauseating, exciting and extremely terrifying but I managed to do it without any hiccups.

5. To someone who’s never heard of the Stove, how do you describe it?

I could say it is a bastion of opportunity, positivity and creativity, an expression of free thinking and identity, but I would say, The Stove is something you have to see for yourself.

6. What would you like to see in the next 10 years?

I would like to see more events organised for the over-thirties. It is right that an emphasis is placed on helping the younger generation and The Stove has done that, but in time they too will become the older generation, and will form, like the rest of us, the majority of the local community. I think The Stove should ‘level the playing field’ so to speak and extend the good work they’re doing for young people to include the rest of us.

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

Growth. The Stove has proliferated from the time of its conception to become more than a hub for artistic folk. The Mid Steeple Quarter is a recent reflection of this and highlights The Stove’s investment in the local community.

8. If there’s one word that sums up the Stove to you, what is it?

Positivity.

9. If the Stove were a drink/food/object or colour, what would it be?

A tall, chilled glass of lemonade on a hot summer’s day.

10. What’s the first thing you think of when you think of the Stove?

Fun.

Director of LIFT D&G, Angie Gilmour

Angela is the ‘Queen of Lochside’ some years back she decided she had had enough of her area being cried a place of deprivation and formed Lochside is Families Together (LIFT) and the rest is history! She was employed by The Stove for three years as our Community Engagement Worker for the Creative Futures project in NW Dumfries and continues to work in partnership with The Stove – currently with our What We Do Now project.

1. How did you first get involved with the Stove?

I first got involved with the stove when I went for a job interview in 2017.

2. What is unique about the Stove?

The unique thing about the stove is how once you start getting to be involved it is like an extended family. 

3. What’s your fondest memory of the Stove?

My fondest memory, apart from doing events and seeing them all come together and thinking, “We did that!” are the friendships I have made through the stove, there is some awesome folk there. 

4. What have you done with the Stove that you’re most proud of?

I have been proud of every event and project we have done with The Stove as we’ve been able to give people opportunities that might not have been open to them before. 

5. To someone who’s never heard of the Stove, how do you describe it?

The stove is a forward thinking, amazing place, that opens your mind to different cultures. 

6. What would you like to see in the next 10 years?

Mini stoves pop up everywhere. 

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

I had no idea they did so much. 

8. If there’s one word that sums up the Stove to you, what is it?

Openness 

9. If the Stove were a drink/food/object or colour, what would it be?

Orange 

10. What’s the first thing you think of when you think of the Stove?

Opportunities

Fan and Occasional Teammate, Steph Phillips

Steph is one of the stars of Brave New Words, a talented and fearless singer-songwriter, they always have the right song for the occasion! Of late, Steph has been doing shifts in the cafe and is very much part of the Stove family.

1. How did you first get involved with the Stove?

I first became involved with the Stove in 2017 after I moved to Dumfries for uni. I wasn’t sure if there was much going on in the town, but one evening I stumbled upon Brave New Words and it changed everything! After that I made an effort to attend Stove events and meet new folk, which helped build my confidence and get to know the town.

2. What is unique about the Stove?

There is nowhere quite like the Stove! It is unique in its welcoming community atmosphere and the range of creative opportunities it offers. The cafe is a lovely safe space for all, and in the evenings, it often turns into a venue for all kinds of wonderful events and workshops.

3. What’s your fondest memory of the Stove?

My fondest memory of the Stove is from April 2019 when I attended my first Plaza event (at the Rowing Club). Although I knew a few Stove folk’s faces I hadn’t yet been brave enough to introduce myself properly. I went to the gig on my own and was awkwardly hovering near the back when Pam (who I recognised from the cafe team) approached and invited me to join her and a few others. It was a lovely venue with great live performances and getting to meet the lovely folk behind the event was an added bonus! After that I made more of an effort to be brave and introduce myself to the team, gradually getting to know them at different events (and at the pub!). All in all, it was the start of many new friendships which changed my perception of Dumfries and shaped who I am today.

4. What have you done with the Stove that you’re most proud of?

The Stove has helped me to become a more confident individual and face my stage-fright by performing at a couple of BNW open mics. I still get scared and can’t always perform, but I’m proud of the progress I’ve made since finding the Stove.

5. To someone who’s never heard of the Stove, how do you describe it?

To someone who has never heard of the Stove, I would describe it as a safe space for every individual from every background, which welcomes and encourages creativity and learning new skills.

6. What would you like to see in the next 10 years?

In the next 10 years I would like to see more of the same! The Stove has created a wonderful community which is working hard to improve the opportunities within Dumfries and develop the town centre into somewhere enjoyable for locals and visitors alike.

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

I’m not sure what I would say the biggest change in the last 10 years has been. Perhaps the change in other people’s perceptions of the town, and what The Stove and other projects have to offer in the way of community development, has been the most noticeable.

8. If there’s one word that sums up the Stove to you, what is it?

One word to describe the Stove – ‘collaboration’.

9. If the Stove were a drink/food/object or colour, what would it be?

I see the Stove as a brightly coloured microphone, giving the town and its individuals a voice and a platform to express themselves.

10. What’s the first thing you think of when you think of the Stove?

I think of a warm smile and people I can rely on, as well as opportunities I wouldn’t otherwise have access to.

Community Artist, Kirsty Turpie

Kirsty is just about the best advert you’ll ever meet for the power of art and creativity – a true community artist who brings positive energy to every situation. She has been part of just about everything you can do at The Stove… Blueprint 100, Creative Futures, Brave New Words, Nithraid… she has been at the heart of all of them at some time! She is currently working for DG Council in Youth Services.

1. How did you first get involved with the Stove?

In 2015 when I returned to living in the area, the Stove were involved in running the Environmental Arts Festival. I volunteered at the festival, met many of the stovies and heard about the exciting creative events that they were running. I then began attending events at the Stove regularly especially enjoying Tuesday night Blueprint 100 workshops (now Creative Spaces) and Reel to Real film nights. I was given the opportunity to exhibit a selection of drawings for the opening of the Stove Cafe and run a creative workshop at Blueprint 100 which gave me a great deal of encouragement with my creative practise.

2. What is unique about the Stove?

There is such a welcoming and friendly atmosphere at all the events and on a day-to-day basis in the cafe. They’re approach is holistic and organic to the needs of the community. They support and connect artists of all different ages and specialisms which has created an exciting and thriving creative community in the region and beyond.

3. What’s your fondest memory of the Stove?

It’s very hard to choose one. I have so many wonderful memories of Brave New Words Open Mic Night as it has been where I’ve formed many friendships. It makes me so happy when I see a friend getting up and sharing music and poetry at Brave New Words and being supported and welcomed by the community. I’ve also loved attending and being part of Nithraid over the years as it provides a full day celebration of our town and its creative talent.

4. What have you done with the Stove that you’re most proud of?

Working with the Creative Futures team for 2 and a half years and running many exciting community events and public art projects in Lochside and Lincluden.

5. To someone who’s never heard of the Stove, how do you describe it?

A community arts centre that has something for everyone.

6. What would you like to see in the next 10 years?

The Midsteeple Quarter buildings being used well and helping the creative scene in D&G to flourish even more.

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

The growth of the stove team and number of spaces.

8. If there’s one word that sums up the Stove to you, what is it?

Incredible

9. If the Stove were a drink/food/object or colour, what would it be?

Gold

10. What’s the first thing you think of when you think of the Stove?

Belonging

John Wallace

John has worn the Stovie bunnet from the earliest days. It’s rare to see a photo of John as he is usually behind the camera and has made some of the finest Stove movies, including A House on The High Street that played such a formative role in starting Midsteeple Quarter. John styles himself an ‘Insider Artist’ and has built a national reputation as a video installation artists from his beloved Eaglesfield.

1. How did you first get involved with the Stove?

First Foot! Three months of art-planning mayhem culminating in two nights of art mayhem

on the High Street back in January 2012.

2. What is unique about the Stove?

Its general sense of purpose and industry around the idea of better places to live and be. It’s

not just art for art’s sake.

3. What’s your fondest memory of the Stove?

Too many. And I’m still forming them – thanks for that The Stove!

4. What have you done with the Stove that you’re most proud of?

Not into being proud of things, but it’s always a pleasure to see the public – new folk –

getting involved and getting a kick out of art-led projects around the town centre where it

all began. Plus, I love seeing the facade change the way it speaks to the street and the

people there – always a joy to play any part in that. It’s a great Stove tradition that continues

with all the superb signwriting.

5. To someone who’s never heard of the Stove, how do you describe it?

A nexus. A powerhouse.

6. What would you like to see in the next 10 years?

That it continues sic – punkin’ the jubilee

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

Getting the building sorted out. Fifty years of retail knock-throughs and modernisations

hadn’t left a very practical space either for the number of people or the range of uses that

100 High Street now regularly supports.

8. If there’s one word that sums up the Stove to you, what is it?

Hame.

9. If the Stove were a drink/food/object or colour, what would it be?

Well, mine’s a cortado with one sugar if you’re anywhere near the café, ta.

10. What’s the first thing you think of when you think of the Stove?

Did I lock that door?

Alec Wallace

Alec is the son of John and Betty Wallace and has been an ever-present at Stovie events, always keeping us right and asking the best questions. How will D+G feel different to those who have grown up with The Stove we wonder?

1. How did you first get involved with the Stove?

The first time I was involved with the stove was the opening of the stove cafe.

2. What is unique about the Stove?

Anyone can become involved, and it is welcoming and engaging.

3. What’s your fondest memory of the Stove?

My fondest memory of the Stove was Parking Space, at the NCP.

4. What have you done with the Stove that you’re most proud of?

I have helped with lots of different projects, and enjoyed being part of a team, and so I am proud of all the projects I have helped work on.

5. To someone who’s never heard of the Stove, how do you describe it?

I would describe the stove as: A place and a community that do creative things together to make Dumfries a better place.

6. What would you like to see in the next 10 years?

To see it continue with a larger community.

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

The fact that the people of Dumfries own big chunks of the high street.

8. If there’s one word that sums up the Stove to you, what is it?

People.

9. If the Stove were a drink/food/object or colour, what would it be?

A fried egg – sunny and nutritious

10. What’s the first thing you think of when you think of the Stove?

Cake

Linda Mallett

One of the founding members of The Stove, Linda has been at the forefront of just about every new development in the arts in the region for as long as anyone can remember… a true radical spirit and who is the local benchmark for integrity and commitment to her art.

1. How did you first get involved with the Stove?

When D&G Council said they were going to cut all funding for the arts, back around 2010(?) quite a few of us thought that was not a great idea and got together to discuss strategies. My memory of the particulars has faded, but somehow out of all that, a small group of us got together to discuss the idea of taking over a three-story shop building in the centre of Dumfries, as a base for arts and community projects.

2. What is unique about the Stove?

That it started out as a collective project of active, professional artists in the public arts field, working together in a non-hierarchical way to develop strategies, raise funding and initiate community projects. It has obviously become more structured (and better paid) over the years, but it still has the truly collective ethos.

3. What’s your fondest memory of the Stove? 

I think it has to be the early days and months of all working together to create something new that none of us could quite foresee, with very few resources and a lot of trust. Can I really say that unpaid all-day meetings fuelled by coffee & sandwiches, followed by winding down in the pub are fond memories? Well yes, they are!

4. What have you done with the Stove that you’re most proud of?

So many… I’ll pick the first ever Nithraid event. This initially came from the idea of wanting to celebrate the River Nith and reclaim it as a true centre of Dumfries rather than just a carpark and bus-station that floods regularly. We put out an open call for anyone interested in discussing ideas for the project to come for a meeting. From that developed the idea of a boat race from the coast to the centre of Dumfries, to ‘reclaim’ it as the flourishing port and market it once was, and to commission various associated arts projects and events for the day. On the day – 21st September 2012 – I was rushing around from project to project, checking out all was going to plan, that the tide was rising as it should, that people were where they were supposed to be… At some point, crossing the Devorgilla Bridge, I paused, and looked out down the river. A couple of thousand people were lining the banks, waiting for the boats to arrive. Wow, I thought – they are all here because of us!

More generally, I am proud of how The Stove has provided opportunities and inspiration for younger artists to move to/back to Dumfries & Galloway and be part of a dynamic and innovative practice. To show that ‘new’ doesn’t just happen in cities.

And I am also proud of how we managed to work co-operatively with the local authorities to develop ideas that were new to all of us, recognising on both sides that we needed to look at new ways of bridging our previous divide.

5. To someone who’s never heard of the Stove, how do you describe it? 

Rather lamely, I tend to cop out and give them a link to the website! And recommend the great café.

6. What would you like to see in the next 10 years? 

A continuation of more projects moving outwards to cover a wider area than central Dumfries

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

Probably the sideways move from the stage of largely unfunded collective responsibility from all for everything, to more specialised areas and accountabilities – “proper jobs”.

8. If there’s one word that sums up the Stove to you, what is it?

Unique?

9. If the Stove were a drink/food/object or colour, what would it be?

A delicious pot-luck meal of Greek mezze or Spanish tapas. But Scottish.

10. What’s the first thing you think of when you think of the Stove?

The difficulty of pinning down what the Stove is?

Chairman of the Board, Tony Fitzpatrick

Tony has been the Chair of our board now for 4 years, his has been a steady hand on the tiller whilst urging us on to push harder and further into uncharted territory. Tony has a past as the Director of Economic Development for DG Council and has a present as a rock and roller with local band Heart of Rust. Everyone at The Stove owes him the deepest debt of gratitude for his commitment and limitless enthusiasm… thank you Tony!

1. How did you first get involved with the Stove?

Basically, it was the café that drew me in initially. I was aware of the emerging artists collective through my work with the Council and involvement in the funding bid that purchased both the Stove and Oven buildings with Scottish Government grant.

2. What is unique about the Stove?

For me the unique thing was that it was the first project in Dumfries to link creative endeavour to community and economic development actions on the ground. Other projects had evolved in more rural settlements but The Stove had a much needed ‘urban cool’ feel to it….quite unique!

3. What’s your fondest memory of the Stove? 

My first visit to the café and sitting for a spell and realising “….something different is happening here…is this Dumfries’s ‘Glad Café”? (a project in Glasgow that was now renowned for its creative programme as well as café).

4. What have you done with the Stove that you’re most proud of?

I took up a Board position several years ago and I have felt so proud to simply be part of the whole process, see the team evolve and develop and put Dumfries on the map locally, regionally and nationally. The Stove has achieved things that would take the usual agencies decades to achieve and built a support-base that the public sector always struggles to do. We have however had tremendous support from the key agencies, again due to the skills of the team.

5. To someone who’s never heard of the Stove, how do you describe it? 

“An artist’s collective that is making the world a better place through positive activism, disruption and conversation”.

6. What would you like to see in the next 10 years? 

A transformed town and region where people are empowered and creatively engaged through the Stove (and projects like it) and where our cultural, natural, and creative assets are recognised globally as our unique selling point.

7. What’s the biggest change that’s happened over the last 10 years from your point of view?

Projects like the Stove being recognised and respected for the innovation and drive they bring for doing things differently and making a real difference to the community. The Stove, to my mind, has brought that ‘cool’ factor that until now has really been the preserve of the city. Our young creatives are, as a consequence, returning or staying in small but significant numbers. Covid is causing many to view the ‘city lights’ as not quite the draw they were as new living , working, environmental, safety and quality of life factors come more to the fore. We have a job here….for life…and much to do!

8. If there’s one word that sums up the Stove to you, what is it?

‘Cool’

9. If the Stove were a drink/food/object or colour, what would it be?

It would be a small fleet of pastel and prime coloured Lambretta scooters with tartan seat covers parked outside a cool cafe waiting for Stovies to jump on and deliver work and joy to the town and beyond!

10. What’s the first thing you think of when you think of the Stove?

Smiling!….and Matt and his hat poised at a jaunty angle…!!

Joe McGurk

Writer, Joe McGurk tells us what attracted him to become a member of The Stove and what he hopes for the future:

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