Our friends at The Stranraer Development Trust are seeking to appoint an Arts & Engagement Officer to help support the development of a thriving cultural sector and a potential major capital project for the re-development of a derelict heritage building in the town centre of Stranraer.
This is an exciting opportunity for a motivated person to use their creativity to bring local people into the heart of regeneration initiatives in Stranraer.
Arts & Engagement Officer – Stranraer Development Trust
Salary: £30,000 (pro rata).
Hours: 25 per week.
Duration: The post is funded for an initial 12 months with potential that it will be continued if successful.
Key Responsibilities
Developing and delivering a creative programme in partnership with local stakeholders in and around Stranraer town centre.
Developing and delivering creative community engagement projects that support and inform potential re-development projects for the town.
Supporting the development of a multi-artform network of creative practitioners in Stranraer
Setting up and programming a small ‘Project HQ’ (eg small empty shop unit or under used space) for the project that will help facilitate the aims of the project and serve as focus for creative vibrancy for the town
Working as part of a project team comprising SDT, DGC and TSN and other consultants involved in capital project development
Working as part of Stranraer Development Trust team to support the charities wider aims and objectives
Providing project monitoring and reports as required
Managing project budget
Skills and Experience
We recognise that all types of work experience are valuable and provide useful transferable skills, so please do tell us about your previous work history and the skills you can bring to the role of Arts & Engagement Officer for Stranraer.
It is essential that you have:
Commitment to being based within the community of Stranraer for the role
Experience of working with artists
An ability to build relationships with communities, colleagues, external partners, and stakeholders
The ability to manage different priorities and work to tight deadlines
Excellent communication skills
Competent IT skills
An interest in community wealth building
Personal Qualities We are looking for people who are:
Familiar with Stranraer
Open and engaging
Approachable and empathetic
Curious and creative
Resourceful and adaptable
Team players
Interested, but want to know more? For all of the details you’ll need and to find out more about the role visit the Stranraer Development Trust website.
How to Apply
Deadline for Applications: Sunday 1st May, midnight
Please provide a CV and covering letter of no more than 500 words, identifying what interests you about this opportunity and why you feel you are suited to the role.
Please send by email to [email protected](max file size of 5MB) with heading Arts and Engagement Officer
It’s likely that the Marvel fans among you might already be well acquainted with the ‘multiverse’ theory, for Marvel, an all-too-convenient premise to string-out an empire of franchises and merchandise to rival Dolly Parton’s wig collection.
But for those who think Iron Man’s a cut-price Forman grill, let’s steal from the internet to better explain it…
The multiverse is a hypothetical group of multiple universes.[a] Together, these universes comprise everything that exists: the entirety of space, time, matter, energy, information, and the physical laws and constants that describe them. The different universes within the multiverse are called “parallel universes”, “other universes”, “alternate universes”, or “many worlds”.
Thanks Wikipedia!
Imagine it. An infinite web of universes born from even the smallest encounters, where realities blur and bend from even the smallest decisions.
Where whole worlds of stories and sorrows, memories and hopes as vivid and colourful as your own exist within each passer-by.
Supported by DGU, the High Street Multiverse is a digital, public art project working with 5 emerging writers from the region, this unique initiative supported writers to craft five individual audio stories to be placed within the town centre of Dumfries, through a specially designed series of QR code sculptures, the artworks will immerse listeners into new imaginative worlds, traversing time and space.
Under the mentorship of writers Des Dillon, Karen Campbell and Karl Drinkwater, emerging writers Carolyn Hashimoto, Davey Payne, Cameron Philips, Kris Haddow and Jasmine McMillan, worked together in a 4 month period to craft 5 unique tales inspired by Dumfries High Street. These immersive and imaginative works were later recorded, mixed, mastered and designed by producer John Dinning to create immersive audio works, adding an exciting new layer to the tales.
As part of the project’s conclusion an accompanying publication is set to launch on Friday March 11th at the Stove Café, alongside the artworks themselves. The evening will feature talks and readings alongside a preview of the works themselves. This exciting project culminates alongside a creative writing workshop with Multiverse writer Carolyn Hashimoto exploring the doors and portals of the town the next day.
We hope you can join us in celebrating a new imaginative addition to our town centre, where worlds hidden in the undergrowth of the streets or in the reflections of passing strangers will be heard for the very first time.
1000 years from now lies only 5 minutes from here…
High Street Multiverse Launch: Meet the Makers of the Multiverse
This March sees the artists involved in the public art project, Atlas Pandemica, host series of events to launch the Limited Edition Atlases. The launch coincides with the 2nd anniversary of the first Covid Lockdown on 23rd March 2020.
Details for each of the four public events are below:
The Cafe at the End of the World
22 March 2022
Join Atlas Pandemica artists Robbie Coleman and Jo Hodges and interdisciplinary researcher Joe Wood for tea and cakes and a discussion about how we might respond to the end of things.
Has Covid changed our view of how we live and can we use what we have learnt about grief and loss to explore and respond to the climate emergency and the fragility of the systems we live within? Can the holistic outlook of the hospice movement and ideas like ‘total pain’ or a‘palliative present’ be used to frame wider environmental challenges in our terminally ill ecosystems and provide a framework to respond to anthropocentrism, hyper-individualism, relentless economic growth and the cult of technology? When we are faced with widespread species extinction, extreme weather events and loss of habitats and homes, are there new ways of thinking that might give us a more meaningful basis for our actions?
It’s a Fair History.. A walkthrough the March Fair
23 March 2022
The Spring Fair returns to Dumfries after a 3-year absence. Did you know the last time the March fair was cancelled was during the outbreak of World War II? Learn some fair history and meet some of the Showpeople who travel to Dumfries from across Scotland to make it happen.
Artist T S Beall and Showperson and Dumfries Fair Organiser Raynor Cadona will lead a walk through the fair and along the banks of the Nith, stopping at sites relevant to Dumfries’ fairs – past and present. Attendees will have a chance to meet some of the Showpeople who have operated in Dumfries for generations.
Inspired by one of Karen Campbell’s short stories in her Atlas Pandemica collection ‘Here Is Our Story’ Dumfries and Galloway Council Community Assets Supervisor Brian McAviney alongside Elaine Murray, Council Leader and Rob Davidson, Depute Leader will plant a ceremonial oak tree at Dumfries Museum on 25th March at 2pm.
As part of the public ceremony Karen will read from her collection and JoAnne McKay will read from her Atlas Pandemica project ‘What Remains’. Judith Hewitt (Museum’s Curator East) will receive an Atlas Pandemica atlas on behalf of Dumfries Museum.
Annie Wild’s Atlas Pandemica project explored the life experience of unpaid carers during the pandemic and the significant role this group of people play in supporting the economy and society. People with any form of caring responsibility are invited to come and take part in a facilitated discussion in a friendly environment on their experiences during the pandemic. All welcome – occasional carers, former carers, paid carers, and people who aren’t sure if they are carers or not.
The Atlas Pandemica project ran from June 2020 until November 2021 when it was featured in COP26 in Glasgow.
Atlas Pandemica is a compendium of 10 projects led by creative people, each investigating a different theme highlighted by life during the COVID pandemic. Projects worked directly with people in Dumfries and Galloway, focussing on the impacts and the learning from the community’s experience of the evolving pandemic.
The Project was conceived and is managed by the team at The Stove Network and curated by Matt Baker and Robbie Coleman. The project was supported by Scottish Government’s ‘Supporting Communities Fund.’
The project now has been published as a limited-edition Atlas which comprises a set of 10 maps, each of which presenting one of the Atlas Pandemica projects as a map to a kinder world.
All of the Atlas Pandemic Maps can be viewed here.
The Atlases
The work of the 10 artists who worked with communities impacted by the Covid pandemic has been published as a set of ten ‘Maps to a Kinder World’ within a special limited edition of 50 Atlases. The Atlases are being presented to people and institutions that Atlas Pandemica believe will make good use of them in taking forward some of the positive lessons learned during the last two years. Watch out for coverage of the Atlases being presented around the country.
Evidence for Committee: Digital, Culture, Media and Sport
By Matt baker
The Stove often contributes to Government consultations – these are one of the ways that policy is shaped. Committees are the way that Government oversees what it does, so the Culture, Media and Sport Committee looks after the work of the Dept of Culture Media and Sport (DCMS), by suggesting new policy directions and holding ministers to account for what they have promised. It is these Committees that run consultations – when they want to explore something, they call for people’s views, they then hold committee sessions to discuss what has been submitted and often call people to speak to them at these sessions. Following this, a committee will make set of recommendations to Ministers and often new policy results.
As part of the DMCS’s most recent consultation, or ‘Call for Evidence’, in a subject very relevant to the work we do here at The Stove, I asked members of The Stove Network to contribute their thoughts to the Stove’s submission. The following is that submission which incorporates the feedback of our members.
Here at The Stove Network we use arts and creativity to enable communities to vision, create and enact new futures for themselves and their places. At the core of our mission is an understanding of arts not as something solely for an ‘arts audience’ but rather as a vital contribution to society on all fronts.
TSN has a venue in Dumfries, in the South West of Scotland, which acts as a hub from which to work across the wider region. We work closely in partnership with the local authority, community organisations, local businesses and charities to catalyse meaningful change in places and communities. Initially this was focused on Dumfries High Street itself, but as the organization has grown, our focus and reach has become region-wide. We are recognised nationally and internationally for the quality of our work in creative placemaking with communities.
Our vision is to make Dumfries and the wider region a place where communities thrive through collaboration, enterprise and risk-taking; a place where everyone is supported to be involved creatively, and to take part in the celebration and making of our culture.
We do this through place-based work and embedded arts practice. As well as operating from our hub in Dumfries High Street, offering space, facilities and arts programmes to engage wide and diverse communities, we also work in places throughout the region on a project basis seeking to build local capacity in creative placemaking. We work with partners and strategic bodies to support meaningful collaborations for place-based working, and to develop pathways for skills development and access to creative careers. We build and sustain networks locally, regionally, nationally, and increasingly internationally through which we share best practice, most recently through publication of our Embers research on creative place-making in the region.
Over the ten years that we have been operating, we have developed and sustained a public programme of place-based and community-focused work. In 2019-20, The Stove Network delivered 5+ public events per week with 5,800 people directly participating in creating projects and over 150 groups/organisations collaborating on the shared vision of our work.
How can culture reanimate our public spaces and shopping streets?
Our experience is in the long-term embedding of cultural initiatives in town centres where there is NO existing cultural infrastructure to support this. You can read HERE the story of how The Stove established itself, built a cultural sector and started a community-led regeneration initiative that has brought 5 High Street buildings into community ownership as part of a £25M redevelopment programme for Dumfries town centre.
Please see Q.3 below for evidence re supporting similar processes in other places without existing cultural and creative infrastructure.
The key precondition to starting initiatives such as this are:
Access to affordable space in town centres. In order for this to happen policy needs to make it more difficult for commercial property owners to leave premises empty. Inducements/sanctions are required to force owners to allow creative initiatives to start in town centre properties.
Easily accessible project funding to pilot creative initiatives in town centres
Follow up core funding to sustain initiatives that show promise
Support for regional arts organisations to supply mentoring support/capacity/resource to help new local initiatives to grow in locations around a region.
Support for bringing national festivals/events into regional town centres to augment grassroots creative infrastructure as it begins to grow.
Doing this will create:
vibrancy in town centres – a significant new offer for towns and creating new footfall for existing businesses
new creative businesses and opportunities for young people giving them reasons to stay and contribute to their home towns
creative and community-led visioning for towns
new identities for places that will attract new businesses and people to relocate
How can creatives contribute to local decision-making and planning of place?
The Stove Network has pioneered the practice of Creative Placemaking on Scotland:
Creative Placemaking uses creative practice to engage communities at grassroots level, building on the existing culture, activity and relationships in each place. It brings people, communities, groups and organisations, public and third sector agencies together to co-develop better strategies for our places. It is a collaborative framework that allows communities to take a lead and creates opportunities for personal growth in participants, the growth of new initiative/enterprises and supports a sustainable creative and cultural sector.
This was based on 6 months research with 21 community-based organisations in South of Scotland and presented recommendations for a Creative Placemaking Network approach to support this practice in communities throughout the region.
Case studies on The Stove’s Creative Placemaking practice to support local decision-making and place planning are linked below, they have been written by:
How can the Government support places without established artistic infrastructure to take full advantage of the opportunities that the levelling up agenda provides?
The Embers report refenced in Q.2 above gave a blueprint for a regional support network for Creative Placemaking through a network approach. In 2021 The Stove began a pilot for a regional Creative Placemaking Network for Dumfries and Galloway. Through this The Stove is supporting 5 community anchor organisations (3 of which are not ‘cultural’) to host 2 creative practitioners for a year to work in communities that are not usually heard in local planning processes and work with them to develop practical visions and projects to improve their places and their own lives within them.
The pilot is called What We Do Now and has just received continuation funding rom Scottish Govt.
How should Government build on existing schemes, such as the UK City of Culture, to level up funding for arts and culture?
Schemes such as UK City of Culture could actively promote Creative Placemaking and regional support networks. The Stove was recently part of a South of Scotland/Borderlands bid to UK City of Culture – it was not successful because it did not follow the model of regeneration laid down by the scheme in previous years. This felt like a missed opportunity and out of step with current practice and reality in post-covid communities.
Open Hoose is a unique opportunity for anyone with a community-focused idea in Dumfries to use our cafe venue space alongside the resources of the Stove team to launch self-initiated projects and events through the support of the Stove’s experience, space, and production skills.
“Open Hoose is all about growing and nourishing new enterprises, projects, or events in the heart of the High Street.”
What is it?
Open Hoose is a funded* project all about giving good ideas a chance to grow. So whether it’s a regular jam night, a bread club, banner-making group or book club, we want to offer our space, our team and our support to help launch community-based and/or cultural activity in the town, housed within the Stove Cafe. Activity can be a one-off evening or a regular slot, it’s up to you!
Think of it as ‘testing’ an idea. So if you’re not quite sure of the details yet, or even how it will all work out, that’s okay! Come talk to us, it might just be what we’re looking for.
Who can apply and what we’re looking for
This opportunity is available to anyone with a community-focused idea.
We want to hear ideas that have the potential to grow. Even if you’re not sure. Sometimes the best projects can come from even a passing thought. You may even have a project already on the go but could do with that extra bit of support.
When?
Activity will take place between January – March 2022.
How ideas will be chosen
There are no exact hard and fast rules to the Open Hoose project, and we want to keep an open mind to new ideas that come through our door. As a community organisation, we believe no one should face barriers to participating in new experiences and creative activity.
With that in mind, we’re particularly interested in ideas that work with, for and about our diverse communities be them of interest, place, or identity.
We think of Open Hoose as a ‘testing ground’ for new ideas, from pop-ups to enterprises, new community groups or arts activity that may well eventually lead you to your next big thing.
Selections will be made against the following criteria:
The potential of the idea to grow and develop
Its potential to bring people together
Encourages people to try new things
Helps to grow the vibrancy of the town centre as a diverse, community-centred and lively place to live, learn and take part in activities
Whilst every idea will be considered, unfortunately not every project will be taken forward due to the resources, timescale and current funding available though we will ensure to provide detailed feedback in every enquiry.
We’re particularly interested in hearing from groups and individuals we haven’t yet had the chance to work with.
What the project cannot support:
Self – promotional and/or retail activity* (for eg: book launches, solo exhibitions, pop-up shops)
Private events
Corporate functions
Party Political Activity
Residency space* (for eg: private space for developing creative work)
All proposed activity should comply with the Stove’s values of inclusion, equality, and diversity.
Some examples of the type of activity the Stove has supported:
Drawing For Enjoyment
Doughlicious Bread Club
High Street Writers
Brave New Words
DoonGamers
What do you get out of it?
Dependent on needs, The Stove can offer free use of our cafe space in the evening, staffing, marketing support alongside technical and production assistance, decided on a case-by-case basis. We may be able to offer some financial contribution towards materials or other costs. We’re looking for ideas with the potential to grow, within or out-with the Stove Cafe.
Interested? Fill out the short enquiry form below!
Nithraid River Festival has been running as an annual event for the past eight years and I have had the absolute privilege of being the producer for the last five of them. Last year’s event saw flood, rain and high winds pushing our team to the limit with adapting last minute to still deliver as much of the event as we physically could. After 2019 we thought, “Well, we’re not going to get anything more difficult than that”. Boy, were we wrong.
When the news hit in March that the entire world was under threat from a global pandemic, we were left with complete uncertainty and dread – much like the rest of the world. What is this thing? Are people going to be safe? How long will it last? When did lockdown and furlough become common words that we use in almost every conversation?
It became apparent very quickly to our team that even though the festival was scheduled to be in August, there was a high chance that the event would have either have to be cancelled completely or we were going to have to try and adapt the festival to a digital format – so we decided to flip Nithraid on its head. We looked at the core values of the festival and the reasons why we do it and who do we do it for?
To cut a long story short – we came to the conclusion that we do it to celebrate the River Nith. We celebrate its history and uses, we celebrate its beauty and we use it to inspire our creativity. We use it to teach our children about the wildlife and environment (special mention goes out to Huffy the Heron!) – but most of all we use it to connect with communities. With all of this in mind, we created the Nith inspired ‘Source to Sea’ project, exploring not just Dumfries but the entire River Nith and the communities that it travels through. Throughout lockdown, it was obvious we were on the right path as all over social media people were photographing the river on their daily walks and were appreciating it as they never had before.
Once we had a concept, the challenging part was trying to figure out how we were going to share all of these elements of the river as well as creating and sharing activities for families and children who were finding themselves stuck at home with little to do. We were delighted to have one of our fantastic funders, the Holywood Trust, on board with our reimagined River Festival. The Holywood Trust were a huge support to Nithraid and our entire team throughout the whole project, and we wouldn’t have been able to do this without them – thank you! This scale of online activity was very much new territory but I have the privilege to work with much more tech savvy individuals than myself and we were able to come together to figure out how to present our festival online. I think as it stands, we are now in Version 652 of the project as it turns out there was more than one problem that arose on a very regular basis. I give them all my love and respect for not running away at Version 150 (I will do the embarrassing shout out at the end!)
As we come to the end of our journey, we’ll be pulling all over the research together and sharing it with you in a beautifully designed map, created for us by local artists and graphic designer, Jamie Stryker. This map is the culmination of everyone’s incredibly hard work over the past 6 months. We’ll also be sharing Hugh McMillan’s lovely Source to Sea poem, where he has a dedicated verse for each area that we explored.
One of the hardest things about the lockdown was the difficulty in being able to research and that we were unable to reach out communities and go out and explore. But now we have information, footage and stories about the River Nith that you can use to learn about these communities yourself. I hope the project does what we set out to do and celebrates the river that connects us and brought so many people a sense of calm in amongst the chaos.
And a special thanks to Derry and Greg from BattleStations who trekked through the Carsphairn hills with a lot of kit to try and find footage of the source of the Nith – which turns out wasn’t where I told them, sorry! You got the shot though!
All of those that took the time to chat to us as we were researching the content. One of my favourite moments was when Bob Clements told us the story of the Thornhill’s Rock Festival on the back of a lorry that was plugged into a house!
Finally, a massive thank you to the team that has held this all together. You have done so much more than these basic titles I have written but I have rambled enough and don’t want you thinking I have gone soft.
Rob Henderson – web design and master of tech-like witchcraft
Kirstin McEwan – marketing and social media queen that makes this stuff look easy!! It’s not!
Ruaridh Thi- Smith – project support and all round support to my sanity.
Liam Morrison- Gale – community lead & ultimate research Jedi Master
Jamie Stryker – Graphic designer and hero that makes the best maps in the whole wide world!
Martin O’Neil – Programmer, Word Wizard and keeper of the creativity.
Graham Rooney – Stove Project manager and dude that keeps every single one of us from spontaneous combustion.
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